{"id":2042,"date":"2025-04-10T16:30:00","date_gmt":"2025-04-10T14:30:00","guid":{"rendered":"https:\/\/audeladestoiles.com\/?p=2042"},"modified":"2025-04-07T14:04:29","modified_gmt":"2025-04-07T12:04:29","slug":"flaneries-photographiques-dune-cineaste-a-loeil-libre","status":"publish","type":"post","link":"https:\/\/audeladestoiles.com\/index.php\/2025\/04\/10\/flaneries-photographiques-dune-cineaste-a-loeil-libre\/","title":{"rendered":"Fl\u00e2neries photographiques d\u2019une cin\u00e9aste \u00e0 l\u2019\u0153il libre"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”||16px|||” custom_padding=”4px||3px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-12px|auto|-46px|auto||” custom_padding=”4px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”13px” custom_margin=”5px||-2px|||” custom_padding=”0px||5px|||” global_colors_info=”{}”]

Collier Schorr, Agn\u00e8s Varda dans sa cour rue Daguerre, <\/span>Paris 14e S\u00e9ance pour Interview magazine, 22 juillet 2018, n\u00b0 521 Courtesy Collier Schorr<\/em><\/p>[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-4px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Il y a des artistes qui ont besoin de crier pour exister. Et puis, il y a Agn\u00e8s Varda<\/a><\/span>. Petite en taille, immense en regard, elle a travers\u00e9 Paris l\u2019air de rien, appareil photo ou cam\u00e9ra \u00e0 la main, capturant des d\u00e9tails que vous et moi aurions \u00e0 peine remarqu\u00e9s : une cariatide sur une fa\u00e7ade, une t\u00eate sculpt\u00e9e pos\u00e9e sur un puits, un couple de commer\u00e7ants rue Daguerre. Elle n\u2019a jamais vraiment cherch\u00e9 \u00e0 s\u2019imposer, mais \u00e0 raconter. L\u2019exposition “Le Paris d\u2019Agn\u00e8s Varda, de-ci, de-l\u00e0” au mus\u00e9e Carnavalet<\/a><\/span> nous invite \u00e0 suivre ses pas dans un Paris intime, un Paris de l\u2019entre-deux, un Paris de l\u2019observation plus que de la d\u00e9monstration.<\/span><\/p>\n

Photographe un jour, photographe toujours\u2026 mais discr\u00e8tement<\/span><\/h3>\n

On l\u2019a souvent cantonn\u00e9e \u00e0 son statut de cin\u00e9aste de la Nouvelle Vague \u2013 avec Cl\u00e9o de 5 \u00e0 7<\/em> en \u00e9tendard \u2013 mais Varda, c\u2019est aussi une photographe de l\u2019ombre, une imageuse de l\u2019instant qui saisissait la lumi\u00e8re. D\u00e8s les ann\u00e9es 1950, elle photographie tout : les com\u00e9diens du Th\u00e9\u00e2tre national populaire, les rues caboss\u00e9es de Paris, sa compagne Valentine Schlegel, et m\u00eame Federico Fellini, qu\u2019elle entra\u00eene dans les gravats d\u2019un vieux mur \u00e0 la porte de Vanves pour un portrait d\u00e9cal\u00e9 comme elle les aime.<\/span><\/p>\n

L\u2019exposition met d\u2019ailleurs un joli coup de projecteur sur cette pratique encore trop peu reconnue. On y d\u00e9couvre 130 tirages, souvent in\u00e9dits, qui dialoguent avec ses films. Un conte photographique tendre et surr\u00e9aliste avec une petite fille d\u00e9guis\u00e9e en ange, des reportages improbables command\u00e9s par des magazines et des exp\u00e9rimentations visuelles o\u00f9 se m\u00ealent texte, image et mise en sc\u00e8ne\u2026<\/span><\/p>\n

Rue Daguerre, centre du monde<\/span><\/h3>\n

S\u2019il fallait dessiner une carte du c\u0153ur de Varda, elle aurait la forme d\u2019une cour. Plus pr\u00e9cis\u00e9ment celle du 86 rue Daguerre, dans le 14e arrondissement. Elle y a v\u00e9cu pendant pr\u00e8s de 70 ans, transformant cette cour-atelier en studio de prise de vue, lieu de tournage, d\u00e9cor, labo photo et parfois m\u00eame en plage de sable pour Les Plages d\u2019Agn\u00e8s<\/em>. Autant vous dire que cette adresse, c\u2019est un peu le QG de l\u2019exposition.
<\/span>On y suit l\u2019\u00e9volution du lieu \u00e0 travers les d\u00e9cennies, de la joyeuse boh\u00e8me des d\u00e9buts \u00e0 la cour-jardin du 21e si\u00e8cle, en passant par les ann\u00e9es Demy.\u00a0<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][ba_image_carousel content_alignment=”center” autoplay_speed=”3500ms” slide_count=”2″ nav_height=”48px” nav_width=”0px” nav_color=”#000000″ nav_bg=”RGBA(255,255,255,0)” icon_left=”||fa||900″ icon_right=”||fa||900″ pagi_radius=”on||||” slide_count_tablet=”2″ slide_count_phone=”1″ slide_count_last_edited=”on|phone” _builder_version=”4.27.0″ _module_preset=”default” subtitle_level=”h6″ subtitle_font=”||on||||||” subtitle_text_color=”#666666″ subtitle_font_size=”13px” custom_margin=”-20px|||||” custom_padding=”0px|||||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Agne\u0300s Varda, Alexander Calder devant son atelier, Paris 14e, octobre 1954 \u00a9 Succession Agne\u0300s Varda _ 2025 Calder Foundation, New York _ ADAGP, Paris” title_text=”Agne\u0300s Varda, Alexander Calder devant son atelier, Paris 14e, octobre 1954 \u00a9 Succession Agne\u0300s Varda _ 2025 Calder Foundation, New York _ ADAGP, Paris” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Agnes-Varda-Alexander-Calder-devant-son-atelier-Paris-14e-octobre-1954-\u00a9-Succession-Agnes-Varda-_-2025-Calder-Foundation-New-York-_-ADAGP-Paris-png.webp” sub_title=”Agne\u0300s Varda, Alexander Calder devant son atelier, Paris 14e, octobre 1954 \u00a9 Succession Agne\u0300s Varda _ 2025 Calder Foundation, New York _ ADAGP, Paris” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Agne\u0300s Varda, Autoportrait dans son studio, rue Daguerre, Paris 14e, 1956 \u00a9 Succession Agne\u0300s Varda” title_text=”Agne\u0300s Varda, Autoportrait dans son studio, rue Daguerre, Paris 14e, 1956 \u00a9 Succession Agne\u0300s Varda” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Agnes-Varda-Autoportrait-dans-son-studio-rue-Daguerre-Paris-14e-1956-\u00a9-Succession-Agnes-Varda-png.webp” sub_title=”Agne\u0300s Varda, Autoportrait dans son studio, rue Daguerre, Paris 14e, 1956 \u00a9 Succession Agne\u0300s Varda” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Agne\u0300s Varda, Boulevard du Montparnasse, Paris, mars 1956 \u00a9 Succession Agne\u0300s Varda” title_text=”Agne\u0300s Varda, Boulevard du Montparnasse, Paris, mars 1956 \u00a9 Succession Agne\u0300s Varda” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Agnes-Varda-Boulevard-du-Montparnasse-Paris-mars-1956-\u00a9-Succession-Agnes-Varda-png.webp” sub_title=”Agne\u0300s Varda, Boulevard du Montparnasse, Paris, mars 1956 \u00a9 Succession Agne\u0300s Varda” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Agne\u0300s Varda, Fellini a\u0300 la porte de Vanves, Paris 14e, mars 1956 \u00a9 Succession Agne\u0300s Varda” title_text=”Agne\u0300s Varda, Fellini a\u0300 la porte de Vanves, Paris 14e, mars 1956 \u00a9 Succession Agne\u0300s Varda” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Agnes-Varda-Fellini-a-la-porte-de-Vanves-Paris-14e-mars-1956-\u00a9-Succession-Agnes-Varda-png.webp” sub_title=”Agne\u0300s Varda, Fellini a\u0300 la porte de Vanves, Paris 14e, mars 1956 \u00a9 Succession Agne\u0300s Varda” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Agne\u0300s Varda, Noye\u0301, 1950 \u00a9 Succession Agne\u0300s Varda” title_text=”Agne\u0300s Varda, Noye\u0301, 1950 \u00a9 Succession Agne\u0300s Varda” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Agnes-Varda-Noye-1950-\u00a9-Succession-Agnes-Varda-png.webp” sub_title=”Agne\u0300s Varda, Noye\u0301, 1950 \u00a9 Succession Agne\u0300s Varda” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Agne\u0300s Varda, Rue Mouffetard, Paris 5e, 1957 \u00a9 Succession Agne\u0300s Varda” title_text=”Agne\u0300s Varda, Rue Mouffetard, Paris 5e, 1957 \u00a9 Succession Agne\u0300s Varda” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Agnes-Varda-Rue-Mouffetard-Paris-5e-1957-\u00a9-Succession-Agnes-Varda-png.webp” sub_title=”Agne\u0300s Varda, Rue Mouffetard, Paris 5e, 1957 \u00a9 Succession Agne\u0300s Varda” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Agne\u0300s Varda, Valentine Schlegel et Fre\u0301de\u0301rique Bourguet a\u0300 Montmartre, Paris 18e, 1948-1949 \u00a9 Succession Agne\u0300s Varda” title_text=”Agne\u0300s Varda, Valentine Schlegel et Fre\u0301de\u0301rique Bourguet a\u0300 Montmartre, Paris 18e, 1948-1949 \u00a9 Succession Agne\u0300s Varda” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Agnes-Varda-Valentine-Schlegel-et-Frederique-Bourguet-a-Montmartre-Paris-18e-1948-1949-\u00a9-Succession-Agnes-Varda-png.webp” sub_title=”Agne\u0300s Varda, Valentine Schlegel et Fre\u0301de\u0301rique Bourguet a\u0300 Montmartre, Paris 18e, 1948-1949 \u00a9 Succession Agne\u0300s Varda” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Photographie de Liliane de Kermadec, Corinne Marchand sur le tournage du film d\u2019Agne\u0300s Varda Cle\u0301o de 5 a\u0300 7, Cle\u0301o au cafe\u0301 du Do\u0302me, Paris 14e, 1961 Liliane de Kermadec \u00a9 Cine\u0301-Tamaris” title_text=”Photographie de Liliane de Kermadec, Corinne Marchand sur le tournage du film d\u2019Agne\u0300s Varda Cle\u0301o de 5 a\u0300 7, Cle\u0301o au cafe\u0301 du Do\u0302me, Paris 14e, 1961 Liliane de Kermadec \u00a9 Cine\u0301-Tamaris” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Photographie-de-Liliane-de-Kermadec-Corinne-Marchand-sur-le-tournage-du-film-dAgnes-Varda-Cleo-de-5-a-7-Cleo-au-cafe-du-Dome-Paris-14e-1961-Liliane-de-Kermadec-\u00a9-Cine-Tamaris-png.webp” sub_title=”Photographie de Liliane de Kermadec, Corinne Marchand sur le tournage du film d\u2019Agne\u0300s Varda Cle\u0301o de 5 a\u0300 7, Cle\u0301o au cafe\u0301 du Do\u0302me, Paris 14e, 1961 Liliane de Kermadec \u00a9 Cine\u0301-Tamaris” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Photographie de Robert Picard, Vale\u0301rie Mairesse, Robert Dadie\u0300s et Agne\u0300s Varda sur le tournage du film d\u2019Agne\u0300s Varda L\u2019une Chante, l\u2019autre pas, 1976 Robert Picard \u00a9 Cine\u0301-Tamaris” title_text=”Photographie de Robert Picard, Vale\u0301rie Mairesse, Robert Dadie\u0300s et Agne\u0300s Varda sur le tournage du film d\u2019Agne\u0300s Varda L\u2019une Chante, l\u2019autre pas, 1976 Robert Picard \u00a9 Cine\u0301-Tamaris” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Photographie-de-Robert-Picard-Valerie-Mairesse-Robert-Dadies-et-Agnes-Varda-sur-le-tournage-du-film-dAgnes-Varda-Lune-Chante-lautre-pas-1976-Robert-Picard-\u00a9-Cine-Tamaris-png.webp” sub_title=”Photographie de Robert Picard, Vale\u0301rie Mairesse, Robert Dadie\u0300s et Agne\u0300s Varda sur le tournage du film d\u2019Agne\u0300s Varda L\u2019une Chante, l\u2019autre pas, 1976 Robert Picard \u00a9 Cine\u0301-Tamaris” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][\/ba_image_carousel][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”3px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-1px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Paris, actrice principale<\/span><\/h3>\n

La vraie muse de Varda ? C\u2019est Paris. Pas la ville des cartes postales, non. Celle des interstices, des quartiers populaires, des march\u00e9s, des d\u00e9molitions. Elle filme la ville comme on filme une \u00e9motion : mouvante, intime, toujours changeante. Cl\u00e9o de 5 \u00e0 7<\/em>, L\u2019Op\u00e9ra-Mouffe<\/em>, Daguerr\u00e9otypes<\/em>\u2026 Paris y est un personnage \u00e0 part enti\u00e8re, miroir des \u00e9tats d\u2019\u00e2me, des luttes, des r\u00eaves.
<\/span>Et il faut le dire : Varda avait ce don incroyable de faire d\u2019une fa\u00e7ade un po\u00e8me visuel, d\u2019un trottoir une sc\u00e8ne de th\u00e9\u00e2tre. Une artiste qui pr\u00e9f\u00e9rait les fissures aux dorures, les marges aux boulevards.<\/span><\/p>\n

Une femme derri\u00e8re l\u2019objectif, et alors ?<\/span><\/h3>\n

Ce que souligne aussi cette exposition c\u2019est la dimension profond\u00e9ment f\u00e9ministe et engag\u00e9e du travail de Varda. Elle a photographi\u00e9 et film\u00e9 les femmes bien avant que cela devienne un sujet central dans les d\u00e9bats culturels. Chez Varda, elles sont fortes, tristes, dr\u00f4les, libres, r\u00e9volt\u00e9es. Et, avant tout, profond\u00e9ment humaines.<\/span><\/p>\n

La s\u00e9rie de portraits pour L\u2019une chante, l\u2019autre pas<\/em> (1977) ou les visages fatigu\u00e9s de la rue Mouffetard dans L\u2019Op\u00e9ra-Mouffe<\/em> (1958) sont d\u2019une puissance calme, mais ravageuse. Pas besoin de slogan : chez Varda, l\u2019image parle pour elle.<\/span><\/p>\n

Une exposition \u00e0 son image : libre, \u00e9clectique, un peu d\u00e9cal\u00e9e<\/span><\/h3>\n

La sc\u00e9nographie accompagne tout \u00e7a sans jamais trop en faire. On passe d\u2019un extrait de film \u00e0 un tirage photo, d\u2019un objet personnel \u00e0 un dessin de P\u00e9n\u00e9lope Bagieu, qui signe dix illustrations dr\u00f4les et tendres. L\u2019ensemble est doux, g\u00e9n\u00e9reux, plein de surprises, comme un dimanche de fl\u00e2nerie dans Paris, avec une amie un peu excentrique qui vous raconterait mille anecdotes sur chaque recoin de trottoir.<\/span><\/p>\n

<\/blockquote>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px||6px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” background_color=”#F2F0E6″ min_height=”538px” custom_padding=”28px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#4A4A4A” text_font_size=”26px” custom_padding=”|18px||18px|true|true” global_colors_info=”{}”]

\u00c0 d\u00e9couvrir<\/strong><\/p>[\/et_pb_text][et_pb_divider _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”3″ include_categories=”all” show_more=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px|18px|0px|18px|true|true” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Le Paris d\u2019Agn\u00e8s Varda<\/p>\n","protected":false},"author":1,"featured_media":2043,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[9],"tags":[],"class_list":["post-2042","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une"],"yoast_head":"\nFl\u00e2neries photographiques d\u2019une cin\u00e9aste \u00e0 l\u2019\u0153il libre - Le Paris d\u2019Agn\u00e8s Varda<\/title>\n<meta name=\"description\" content=\"De la rue Daguerre aux recoins m\u00e9connus de la capitale, l\u2019exposition du mus\u00e9e Carnavalet redonne \u00e0 Agn\u00e8s Varda son r\u00f4le de photographe, longtemps rest\u00e9 dans l\u2019ombre de la cin\u00e9aste. 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