{"id":2027,"date":"2025-04-09T16:30:00","date_gmt":"2025-04-09T14:30:00","guid":{"rendered":"https:\/\/audeladestoiles.com\/?p=2027"},"modified":"2025-04-07T12:42:46","modified_gmt":"2025-04-07T10:42:46","slug":"sept-decennies-de-printemps-dans-les-yeux","status":"publish","type":"post","link":"https:\/\/audeladestoiles.com\/index.php\/2025\/04\/09\/sept-decennies-de-printemps-dans-les-yeux\/","title":{"rendered":"Sept d\u00e9cennies de printemps dans les yeux"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”||16px|||” custom_padding=”4px||3px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-12px|auto|-46px|auto||” custom_padding=”4px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”13px” custom_margin=”5px||-2px|||” custom_padding=”0px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

David Hockney, Portrait of an Artist, (Pool with Two Figures), 1972, Acrylique sur toile, 213,36 x 304,8 cm (84 x 120 ensemble),\u00a9David Hockney, Yageo Foundation Collection, Taiwan, Cr\u00e9dit photo : Art Gallery of New South Wales \/ Jenni Carter<\/span><\/em>
<\/em><\/p>[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-4px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Do remember, they can\u2019t cancel the spring<\/em><\/span><\/h3>\n

Il y a des artistes qu\u2019on admire, et d\u2019autres qu\u2019on aimerait emmener boire un th\u00e9 \u00e0 la menthe dans un jardin en fleurs. David Hockney<\/a><\/span> est un peu les deux. Et c\u2019est justement ce sentiment que l\u2019on ressent en visitant David Hockney 25<\/em>, la r\u00e9trospective monumentale pr\u00e9sent\u00e9e \u00e0 la Fondation Louis Vuitton<\/a><\/span> jusqu’au 31 ao\u00fbt 2025.<\/span><\/p>\n

Avec plus de 400 \u0153uvres, l\u2019exposition est \u00e0 l\u2019image de l\u2019artiste : prolifique, joyeuse, \u00e9clat\u00e9e, mais toujours ma\u00eetris\u00e9e. Elle couvre soixante-dix ans de cr\u00e9ation, tout en choisissant de s\u2019ouvrir non pas sur ses d\u00e9buts, mais sur ses vingt-cinq derni\u00e8res ann\u00e9es. Une inversion de perspective qui, on s\u2019en doute, n\u2019est pas un hasard : chez Hockney, le pass\u00e9 est un mat\u00e9riau de jeu, mais c\u2019est le pr\u00e9sent qui pulse.<\/span><\/p>\n

Une vie \u00e0 colorier (et \u00e0 r\u00e9inventer)<\/span><\/h3>\n

Peu d\u2019artistes peuvent se vanter d\u2019avoir \u00e9t\u00e9 \u00e0 la fois un pionnier du dessin sur iPad et un passionn\u00e9 du Quattrocento. Hockney, lui, a travers\u00e9 les \u00e9poques comme on traverse un paysage : avec curiosit\u00e9, m\u00e9thode et \u00e9merveillement.<\/span><\/p>\n

Des piscines californiennes des ann\u00e9es 60 (on pense bien s\u00fbr \u00e0 A Bigger Splash<\/em><\/span><\/a>) aux paysages de Normandie peints sur tablette en 2020, l\u2019artiste a toujours su conjuguer technique et po\u00e9sie. Et si certains peintres ont une “p\u00e9riode bleue”, lui semble avoir embrass\u00e9 toutes les saisons, avec un net penchant pour le printemps.<\/span><\/p>\n

Le parcours de l\u2019exposition, tr\u00e8s orchestr\u00e9 (Hockney a tout supervis\u00e9), d\u00e9bute donc avec ses \u0153uvres les plus r\u00e9centes. On y d\u00e9couvre des s\u00e9ries r\u00e9alis\u00e9es sur iPad, des portraits tendres de proches, des paysages de Normandie baign\u00e9s de lumi\u00e8re et des bouquets de fleurs aussi complexes que des symphonies. Et, dans une salle plus intime, quelques \u0153uvres encore jamais montr\u00e9es, inspir\u00e9es de Blake et Munch \u2014 autant dire qu\u2019il y a de quoi fl\u00e2ner, r\u00eaver, et se perdre un peu.<\/span><\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][ba_image_carousel content_alignment=”center” autoplay_speed=”3500ms” slide_count=”2″ nav_height=”48px” nav_width=”0px” nav_color=”#000000″ nav_bg=”RGBA(255,255,255,0)” icon_left=”||fa||900″ icon_right=”||fa||900″ pagi_radius=”on||||” slide_count_tablet=”2″ slide_count_phone=”1″ slide_count_last_edited=”on|phone” _builder_version=”4.27.0″ _module_preset=”default” subtitle_level=”h6″ subtitle_font=”||on||||||” subtitle_text_color=”#666666″ subtitle_font_size=”13px” custom_margin=”-20px|||||” custom_padding=”0px|||||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, \u00ab After Blake: Less is Known than People Think \u00bb, 2024, %91D\u2019apr\u00e8s Blake : On en sait moins qu\u2019on le pense%93, Acrylique sur toile, 182,9 \u00c5~ 121,9 cm, \u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson” title_text=”David Hockney, \u00ab After Blake: Less is Known than People Think \u00bb, 2024, %91D\u2019apr\u00e8s Blake : On en sait moins qu\u2019on le pense%93, Acrylique sur toile, 182,9 \u00c5~ 121,9 cm, \u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/1-6-png.webp” sub_title=”David Hockney, \u00ab After Blake: Less is Known than People Think \u00bb, 2024, %91D\u2019apr\u00e8s Blake : On en sait moins qu\u2019on le pense%93, Acrylique sur toile, 182,9 \u00c5~ 121,9 cm, \u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, Winter Timber, 2009, %91Pi\u00e8ces de bois en hiver%93, Huile sur quinze toiles, 274,3 \u00c5~ 609,6 cm ensemble,\u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson, LYC Collection” title_text=”David Hockney, Winter Timber, 2009, %91Pi\u00e8ces de bois en hiver%93, Huile sur quinze toiles, 274,3 \u00c5~ 609,6 cm ensemble,\u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson, LYC Collection” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/2-2-png.webp” sub_title=”David Hockney, Winter Timber, 2009, %91Pi\u00e8ces de bois en hiver%93, Huile sur quinze toiles, 274,3 \u00c5~ 609,6 cm ensemble,\u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson, LYC Collection” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, Bigger Trees near Warter or\/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, 2007, Huile sur cinquante toiles, 457,2 \u00c5~ 1 219,2 cm ensemble,\u00a9 David Hockney, Tate, U.K., Cr\u00e9dit photo : Prudence Cuming Associates” title_text=”David Hockney, Bigger Trees near Warter or\/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, 2007, Huile sur cinquante toiles, 457,2 \u00c5~ 1 219,2 cm ensemble,\u00a9 David Hockney, Tate, U.K., Cr\u00e9dit photo : Prudence Cuming Associates” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/3-3-png.webp” sub_title=”David Hockney, Bigger Trees near Warter or\/ou Peinture sur le Motif pour le Nouvel Age Post-Photographique, 2007, Huile sur cinquante toiles, 457,2 \u00c5~ 1 219,2 cm ensemble,\u00a9 David Hockney, Tate, U.K., Cr\u00e9dit photo : Prudence Cuming Associates” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, 27th March 2020, No. 1, Peinture sur iPad imprim\u00e9e sur papier mont\u00e9e sur cinq panneaux en aluminium, 364,1 \u00c5~ 521,4 cm ensemble,\u00a9David Hockney” title_text=”David Hockney, 27th March 2020, No. 1, Peinture sur iPad imprim\u00e9e sur papier mont\u00e9e sur cinq panneaux en aluminium, 364,1 \u00c5~ 521,4 cm ensemble,\u00a9David Hockney” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/4-3-png.webp” sub_title=”David Hockney, 27th March 2020, No. 1, Peinture sur iPad imprim\u00e9e sur papier mont\u00e9e sur cinq panneaux en aluminium, 364,1 \u00c5~ 521,4 cm ensemble,\u00a9David Hockney” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, Christopher Isherwood and Don Bachardy, 1968, Acrylique sur toile 212,09 x 303,53 cm,\u00a9David Hockney, Cr\u00e9dit photo : Fabrice Gibert, Collection particuli\u00e8re” title_text=”David Hockney, Christopher Isherwood and Don Bachardy, 1968, Acrylique sur toile 212,09 x 303,53 cm,\u00a9David Hockney, Cr\u00e9dit photo : Fabrice Gibert, Collection particuli\u00e8re” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/5-3-png.webp” sub_title=”David Hockney, Christopher Isherwood and Don Bachardy, 1968, Acrylique sur toile 212,09 x 303,53 cm,\u00a9David Hockney, Cr\u00e9dit photo : Fabrice Gibert, Collection particuli\u00e8re” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, Portrait of My Father, 1955, Huile sur toile, 50,8 x 40,6 cm,\u00a9David Hockney, The David Hockney Foundation, Cr\u00e9dit photo : Richard Schmidt” title_text=”David Hockney, Portrait of My Father, 1955, Huile sur toile, 50,8 x 40,6 cm,\u00a9David Hockney, The David Hockney Foundation, Cr\u00e9dit photo : Richard Schmidt” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/6-3-png.webp” sub_title=”David Hockney, Portrait of My Father, 1955, Huile sur toile, 50,8 x 40,6 cm,\u00a9David Hockney, The David Hockney Foundation, Cr\u00e9dit photo : Richard Schmidt” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” title_text=”David Hockney, A Bigger Splash, 1967, Acrylique sur toile, 242,5 x 243,9 x 3 cm,\u00a9David Hockney, Tate, U.K.” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/7-3-png.webp” alt=”David Hockney, A Bigger Splash, 1967, Acrylique sur toile, 242,5 x 243,9 x 3 cm,\u00a9David Hockney, Tate, U.K.” sub_title=”David Hockney, A Bigger Splash, 1967, Acrylique sur toile, 242,5 x 243,9 x 3 cm,\u00a9David Hockney, Tate, U.K.” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, May Blossom on the Roman Road, 2009, %91Floraison de mai sur la route romaine%93, Huile sur huit toiles, 182,9 \u00c5~ 487,7 cm ensemble,\u00a9David Hockney, Cr\u00e9dit photo : Richard Schmidt” title_text=”David Hockney, May Blossom on the Roman Road, 2009, %91Floraison de mai sur la route romaine%93, Huile sur huit toiles, 182,9 \u00c5~ 487,7 cm ensemble,\u00a9David Hockney, Cr\u00e9dit photo : Richard Schmidt” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/8-3-png.webp” sub_title=”David Hockney, May Blossom on the Roman Road, 2009, %91Floraison de mai sur la route romaine%93, Huile sur huit toiles, 182,9 \u00c5~ 487,7 cm ensemble,\u00a9David Hockney, Cr\u00e9dit photo : Richard Schmidt” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”David Hockney, \u00ab After Munch : Less is Known than People Think \u00bb, 2023, %91D\u2019apr\u00e8s Munch : On en sait moins qu\u2019on le pense%93, Acrylique sur toile, 121,9 \u00c5~ 182,9 cm,\u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson” title_text=”David Hockney, \u00ab After Munch : Less is Known than People Think \u00bb, 2023, %91D\u2019apr\u00e8s Munch : On en sait moins qu\u2019on le pense%93, Acrylique sur toile, 121,9 \u00c5~ 182,9 cm,\u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/9-3-png.webp” sub_title=”David Hockney, \u00ab After Munch : Less is Known than People Think \u00bb, 2023, %91D\u2019apr\u00e8s Munch : On en sait moins qu\u2019on le pense%93, Acrylique sur toile, 121,9 \u00c5~ 182,9 cm,\u00a9David Hockney, Cr\u00e9dit photo : Jonathan Wilkinson” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][\/ba_image_carousel][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”3px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-1px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Une fen\u00eatre ouverte sur le monde<\/span><\/h3>\n

Ce qui frappe surtout, c\u2019est cette mani\u00e8re qu\u2019a Hockney de nous tendre la main \u00e0 travers ses \u0153uvres. Qu\u2019il peigne un tronc d\u2019arbre ou le visage d\u2019un ami, il cherche \u00e0 capter le vivant \u2014 pas le spectaculaire. Il peint vite pour \u00ab attraper quelque chose de vrai \u00bb. Il scanne, assemble, superpose, pour mieux restituer l\u2019\u00e9ph\u00e9m\u00e8re.<\/span><\/p>\n

Dans ses paysages du Yorkshire ou de Normandie, on sent l\u2019amour du motif r\u00e9p\u00e9t\u00e9, du d\u00e9tail qui fr\u00e9mit. Il y a toujours un arbre en train de bourgeonner quelque part, m\u00eame quand tout semble fig\u00e9. M\u00eame en 2020, en plein confinement, Hockney nous le rappelait : \u00ab They can\u2019t cancel the spring<\/em> \u00bb.<\/span><\/p>\n

Le peintre, l\u2019homme, l\u2019\u0153il<\/span><\/h3>\n

Au fil des salles, on d\u00e9couvre un Hockney multiple : inventeur de formes, chercheur d\u2019images, et tendre observateur du monde. Un artiste qui a peint ses amis, ses chiens, ses jardins, ses amants, ses souvenirs, sans hi\u00e9rarchie. L\u2019un de ses autoportraits r\u00e9cents le montre dans une posture m\u00e9lancolique, presque absurde, mais terriblement humaine.<\/span><\/p>\n

Il y a aussi beaucoup d\u2019humour dans son travail \u2014 ne serait-ce que dans les titres, ou dans sa fa\u00e7on de d\u00e9fier les conventions : des portraits num\u00e9riques encadr\u00e9s \u00e0 l\u2019ancienne, des perspectives invers\u00e9es, des mises en sc\u00e8ne domestiques dignes d\u2019une sc\u00e8ne de th\u00e9\u00e2tre.<\/span><\/p>\n

Une exposition comme un r\u00e9veil sensoriel<\/span><\/h3>\n

On ressort de David Hockney 25<\/em> un peu comme apr\u00e8s une balade dans la campagne au printemps : les joues rosies, le c\u0153ur l\u00e9ger, les yeux pleins de couleurs. On se dit que vieillir peut \u00eatre une joie, que l\u2019art peut \u00eatre un terrain de jeu, et que dessiner une fleur sur iPad peut \u00eatre aussi puissant qu\u2019un grand tableau \u00e0 l\u2019huile.<\/span><\/p>\n

Hockney ne nous propose pas un voyage nostalgique \u00e0 travers sa carri\u00e8re, mais un dialogue avec le pr\u00e9sent, o\u00f9 chaque salle devient un jardin \u00e0 explorer. Et dans un monde o\u00f9 tout s\u2019acc\u00e9l\u00e8re, il nous rappelle l\u2019essentiel : regarder, vraiment, c\u2019est d\u00e9j\u00e0 cr\u00e9er.<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px||6px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” background_color=”#F2F0E6″ min_height=”538px” custom_padding=”28px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#4A4A4A” text_font_size=”26px” custom_padding=”|18px||18px|true|true” global_colors_info=”{}”]

\u00c0 d\u00e9couvrir<\/strong><\/p>[\/et_pb_text][et_pb_divider _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”3″ include_categories=”all” show_more=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px|18px|0px|18px|true|true” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

David Hockney 25 \u00e0 la Fondation Louis Vuitton<\/p>\n","protected":false},"author":1,"featured_media":2028,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[9],"tags":[],"class_list":["post-2027","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une"],"yoast_head":"\nSept d\u00e9cennies de printemps dans les yeux - David Hockney 25 \u00e0 la Fondation Louis Vuitton<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez l\u2019exposition David Hockney 25 \u00e0 la Fondation Louis Vuitton : plus de 400 \u0153uvres, 70 ans de cr\u00e9ation et un regard toujours \u00e9merveill\u00e9 sur le monde. 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