{"id":2012,"date":"2025-04-08T16:30:00","date_gmt":"2025-04-08T14:30:00","guid":{"rendered":"https:\/\/audeladestoiles.com\/?p=2012"},"modified":"2025-04-07T12:12:55","modified_gmt":"2025-04-07T10:12:55","slug":"quimporte-le-paysage-pourvu-quon-ait-la-lumiere","status":"publish","type":"post","link":"https:\/\/audeladestoiles.com\/index.php\/2025\/04\/08\/quimporte-le-paysage-pourvu-quon-ait-la-lumiere\/","title":{"rendered":"Qu\u2019importe le paysage, pourvu qu\u2019on ait la lumi\u00e8re"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”||16px|||” custom_padding=”4px||3px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-12px|auto|-46px|auto||” custom_padding=”4px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”13px” custom_margin=”5px||-2px|||” custom_padding=”0px||5px|||” global_colors_info=”{}”]

Lucas Arruda, Untitled <\/span>(from the Deserto-Modelo series), 2013, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Everton Ballardin<\/em>
<\/em><\/p>[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-4px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Il y a des expositions qui vous happent par leur promesse, et d\u2019autres qui vous cueillent par leur silence. \u201cQu\u2019importe le paysage\u201d, la premi\u00e8re monographie de Lucas Arruda<\/a><\/span> dans un mus\u00e9e fran\u00e7ais, appartient clairement \u00e0 la seconde cat\u00e9gorie. Nich\u00e9e au cinqui\u00e8me \u00e9tage du mus\u00e9e d\u2019Orsay<\/a><\/span>, l\u00e0 o\u00f9 la lumi\u00e8re filtre doucement sur les chefs-d\u2019\u0153uvre impressionnistes, cette exposition joue une partition d\u00e9licate : celle de la m\u00e9moire, de l\u2019intime et de la lumi\u00e8re. Beaucoup de lumi\u00e8re.<\/span><\/p>\n

Lucas Arruda, ou comment peindre sans mod\u00e8le (et sans filet)<\/span><\/h3>\n

N\u00e9 \u00e0 S\u00e3o Paulo en 1983, Lucas Arruda peint des paysages qu\u2019il n\u2019a jamais vus. Et c\u2019est bien l\u00e0 tout l\u2019enjeu : ses toiles, souvent de petit format, ne sont pas des reproductions du r\u00e9el, mais des \u00e9vocations. Des souvenirs flous, des atmosph\u00e8res capt\u00e9es en atelier, \u00e0 la force de l\u2019intuition. Depuis plus de quinze ans, il d\u00e9veloppe la s\u00e9rie <\/span>Deserto-Modelo<\/em>, un nom emprunt\u00e9 au po\u00e8te br\u00e9silien Jo\u00e3o Cabral de Melo Neto, qui d\u00e9signe des \u00ab mod\u00e8les de d\u00e9sert \u00bb \u2014 comprenez : des paysages mentaux.
<\/span>Ce n\u2019est donc pas tant le lieu que la sensation qui compte. Et cette sensation, chez Arruda, passe par une obsession : la lumi\u00e8re.<\/span><\/p>\n

La lumi\u00e8re, c\u2019est son motif. Et son moteur.<\/h3>\n

Si Claude Monet avait ses cath\u00e9drales, ses peupliers et ses meules de foin, Lucas Arruda, lui, a ses ciels vibrants, ses jungles floues et ses brumes silencieuses. Le parall\u00e8le avec les impressionnistes ne s\u2019arr\u00eate pas l\u00e0. Comme eux, il peint en s\u00e9rie. Comme eux, il traque la nuance, le changement imperceptible, le glissement d\u2019un \u00e9tat \u00e0 l\u2019autre. Mais l\u00e0 o\u00f9 Monet observait, Arruda imagine.
<\/span>Dans certaines \u0153uvres, il gratte la surface de la toile pour faire jaillir la lumi\u00e8re de l\u2019arri\u00e8re-plan. Dans d\u2019autres, il empile les couches jusqu\u2019\u00e0 effacer toute forme, ne laissant que l\u2019intensit\u00e9 d\u2019une couleur \u2014 presque un pixel g\u00e9ant.<\/span><\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][ba_image_carousel content_alignment=”center” autoplay_speed=”3500ms” slide_count=”2″ nav_height=”48px” nav_width=”0px” nav_color=”#000000″ nav_bg=”RGBA(255,255,255,0)” icon_left=”||fa||900″ icon_right=”||fa||900″ pagi_radius=”on||||” slide_count_tablet=”2″ slide_count_phone=”1″ slide_count_last_edited=”on|phone” _builder_version=”4.27.0″ _module_preset=”default” subtitle_level=”h6″ subtitle_font=”||on||||||” subtitle_text_color=”#666666″ subtitle_font_size=”13px” custom_margin=”-20px|||||” custom_padding=”0px|||||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Alfred Sisley, Le brouillard, Voisins, 1874, Huile sur toile, H. 50,5 ; L. 65,0 cm., Collection Muse\u0301e d\u2019Orsay, Legs Antonin Personnaz, 1937, \u00a9 photo _ RMN-Grand Palais (Muse\u0301e d\u2019Orsay) _ Ge\u0301rard Blot\u00a0” title_text=”Alfred Sisley, Le brouillard, Voisins, 1874, Huile sur toile, H. 50,5 ; L. 65,0 cm., Collection Muse\u0301e d\u2019Orsay, Legs Antonin Personnaz, 1937, \u00a9 photo _ RMN-Grand Palais (Muse\u0301e d\u2019Orsay) _ Ge\u0301rard Blot\u00a0” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Alfred-Sisley-Le-brouillard-Voisins-1874-Huile-sur-toile-H.-505-L.-650-cm.-Collection-Musee-dOrsay-Legs-Antonin-Personnaz-1937-\u00a9-photo-_-RMN-Grand-Palais-Musee-dOrsay-_-Gerard-Blot–png.webp” sub_title=”Alfred Sisley, Le brouillard, Voisins, 1874, Huile sur toile, H. 50,5 ; L. 65,0 cm., Collection Muse\u0301e d\u2019Orsay, Legs Antonin Personnaz, 1937, \u00a9 photo _ RMN-Grand Palais (Muse\u0301e d\u2019Orsay) _ Ge\u0301rard Blot\u00a0” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Gustave Courbet, La Mer orageuse, 1870, Huile sur toile, H. 116,5 ; L. 160,0 cm., Collection Muse\u0301e d\u2019Orsay, Achat au Salon, 1878, \u00a9photo _ GrandPalaisRmn (muse\u0301e d\u2019Orsay) _ Herve\u0301 Lewandowski\u00a0” title_text=”Gustave Courbet, La Mer orageuse, 1870, Huile sur toile, H. 116,5 ; L. 160,0 cm., Collection Muse\u0301e d\u2019Orsay, Achat au Salon, 1878, \u00a9photo _ GrandPalaisRmn (muse\u0301e d\u2019Orsay) _ Herve\u0301 Lewandowski\u00a0” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Gustave-Courbet-La-Mer-orageuse-1870-Huile-sur-toile-H.-1165-L.-1600-cm.-Collection-Musee-dOrsay-Achat-au-Salon-1878-\u00a9photo-_-GrandPalaisRmn-musee-dOrsay-_-Herve-Lewandowski–png.webp” sub_title=”Gustave Courbet, La Mer orageuse, 1870, Huile sur toile, H. 116,5 ; L. 160,0 cm., Collection Muse\u0301e d\u2019Orsay, Achat au Salon, 1878, \u00a9photo _ GrandPalaisRmn (muse\u0301e d\u2019Orsay) _ Herve\u0301 Lewandowski\u00a0” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2018, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Everton Ballardin” title_text=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2018, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Everton Ballardin” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Lucas-Arruda-Untitled-from-the-Deserto-Modelo-series-2018-Oil-on-canvas-\u00a9Lucas-Arruda-Courtesy-the-artist-David-Zwirner-and-Mendes-Wood-DM-Photography-by-Everton-Ballardin-png.webp” sub_title=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2018, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Everton Ballardin” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2022, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Claire Dorn\u00a0” title_text=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2022, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Claire Dorn\u00a0” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Lucas-Arruda-Untitled-from-the-Deserto-Modelo-series-2022-Oil-on-canvas-\u00a9Lucas-Arruda-Courtesy-the-artist-David-Zwirner-and-Mendes-Wood-DM-Photography-by-Claire-Dorn–png.webp” sub_title=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2022, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Claire Dorn\u00a0” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas\u00a0\u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Chase Barnes\u00a0” title_text=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas\u00a0\u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Chase Barnes\u00a0” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Lucas-Arruda-Untitled-from-the-Deserto-Modelo-series-2023-Oil-on-canvas-\u00a9Lucas-Arruda-Courtesy-the-artist-David-Zwirner-and-Mendes-Wood-DM-Photography-by-Chase-Barnes–png.webp” sub_title=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas\u00a0\u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Chase Barnes\u00a0” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist and David Zwirner, Photography by Chase Barnes” title_text=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist and David Zwirner, Photography by Chase Barnes” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Lucas-Arruda-Untitled-from-the-Deserto-Modelo-series-2023-Oil-on-canvas-\u00a9Lucas-Arruda-Courtesy-the-artist-and-David-Zwirner-Photography-by-Chase-Barnes-png.webp” sub_title=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas, \u00a9Lucas Arruda, Courtesy the artist and David Zwirner, Photography by Chase Barnes” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas,\u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Chase Barnes\u00a0” title_text=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas,\u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Chase Barnes\u00a0” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Lucas-Arruda-Untitled-from-the-Deserto-Modelo-series-2023-Oil-on-canvas\u00a9Lucas-Arruda-Courtesy-the-artist-David-Zwirner-and-Mendes-Wood-DM-Photography-by-Chase-Barnes–png.webp” sub_title=”Lucas Arruda, Untitled (from the Deserto-Modelo series), 2023, Oil on canvas,\u00a9Lucas Arruda, Courtesy the artist, David Zwirner and Mendes Wood DM, Photography by Chase Barnes\u00a0” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Claude Monet, Le Bassin aux nymph\u00e9as, harmonie verte, 1899, Huile sur toile, H. 89,5 ; L. 92,5 cm., Collection Mus\u00e9e d\u2019Orsay, Legs comte Isaac de Camondo, 1911, \u00a9photo : RMN-Grand Palais (Mus\u00e9e d\u2019Orsay) \/ St\u00e9phane Mar\u00e9challe” title_text=”Claude Monet, Le Bassin aux nymph\u00e9as, harmonie verte, 1899, Huile sur toile, H. 89,5 ; L. 92,5 cm., Collection Mus\u00e9e d\u2019Orsay, Legs comte Isaac de Camondo, 1911, \u00a9photo : RMN-Grand Palais (Mus\u00e9e d\u2019Orsay) \/ St\u00e9phane Mar\u00e9challe” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/CL-png.webp” sub_title=”Claude Monet, Le Bassin aux nymph\u00e9as, harmonie verte, 1899, Huile sur toile, H. 89,5 ; L. 92,5 cm., Collection Mus\u00e9e d\u2019Orsay, Legs comte Isaac de Camondo, 1911, \u00a9photo : RMN-Grand Palais (Mus\u00e9e d\u2019Orsay) \/ St\u00e9phane Mar\u00e9challe” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][\/ba_image_carousel][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”3px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-1px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Un accrochage audacieux dans la galerie impressionniste<\/span><\/h3>\n

Ce qui frappe d\u00e8s l\u2019entr\u00e9e dans l\u2019exposition, c\u2019est le culot tranquille du commissariat : placer les \u0153uvres de Lucas Arruda au c\u0153ur de la galerie impressionniste, \u00e0 deux pas de Monet, Pissarro ou Courbet, c\u2019est tout sauf anodin. Et pourtant, \u00e7a fonctionne. Les toiles de l\u2019artiste br\u00e9silien ne d\u00e9tonnent pas, elles s\u2019infusent doucement. Comme des murmures au milieu des cris de lumi\u00e8re du XIXe si\u00e8cle.
<\/span>Mention sp\u00e9ciale pour la salle o\u00f9 \u201cLa Mer orageuse\u201d de Courbet dialogue frontalement avec l\u2019un des ciels mena\u00e7ants d\u2019Arruda : la tension est palpable, mais aussi \u00e9trangement harmonieuse. L\u2019exposition nous fait voyager dans des paysages imaginaires tout en nous ancrant dans une histoire picturale bien r\u00e9elle.<\/span><\/p>\n

Et si le vrai paysage \u00e9tait dans notre t\u00eate ?<\/span><\/h3>\n

Car au fond, ce que Lucas Arruda interroge, ce n\u2019est pas le paysage en tant que sujet, mais notre rapport au visible. Ce que l\u2019on projette, ce que l\u2019on croit reconna\u00eetre, ce que l\u2019on ressent. Il peint un entre-deux : entre abstraction et figuration, entre souvenir et sensation. On pourrait dire que ce sont des paysages sans lieu\u2026 mais avec beaucoup de pr\u00e9sence.
<\/span>En contemplant ces toiles, j\u2019ai pens\u00e9 \u00e0 cette phrase du po\u00e8te Manuel Bandeira, dont est tir\u00e9 le sous-titre de l\u2019exposition : \u00ab Qu\u2019importe le paysage ? Ce que je vois, c\u2019est la ruelle. \u00bb<\/em> Une invitation \u00e0 regarder autrement, \u00e0 ne pas s\u2019enfermer dans la carte postale, mais \u00e0 rester attentif \u00e0 ce qui nous touche, ici et maintenant.<\/span><\/p>\n

Lucas Arruda n\u2019impose rien. Il propose. Des images ouvertes, des souvenirs universels, des fragments de lumi\u00e8re qui attendent notre regard pour s\u2019activer. C\u2019est une peinture de l\u2019intime, mais qui parle \u00e0 tous. Une peinture sans GPS, mais avec une boussole int\u00e9rieure.
<\/span>Alors oui, qu\u2019importe le paysage<\/em>, pourvu qu\u2019on ait l\u2019imagination. Et une heure ou deux devant soi pour se perdre volontairement dans ces horizons flous.\u00a0<\/span><\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px||6px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” background_color=”#F2F0E6″ min_height=”538px” custom_padding=”28px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#4A4A4A” text_font_size=”26px” custom_padding=”|18px||18px|true|true” global_colors_info=”{}”]

\u00c0 d\u00e9couvrir<\/strong><\/p>[\/et_pb_text][et_pb_divider _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”3″ include_categories=”all” show_more=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px|18px|0px|18px|true|true” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Lucas Arruda au mus\u00e9e d\u2019Orsay<\/p>\n","protected":false},"author":1,"featured_media":2013,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[9],"tags":[],"class_list":["post-2012","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une"],"yoast_head":"\nQu\u2019importe le paysage, pourvu qu\u2019on ait la lumi\u00e8re - Lucas Arruda au mus\u00e9e d\u2019Orsay<\/title>\n<meta name=\"description\" content=\"L\u2019exposition \u201cQu\u2019importe le paysage\u201d au mus\u00e9e d\u2019Orsay met \u00e0 l\u2019honneur Lucas Arruda, figure montante de la sc\u00e8ne br\u00e9silienne, dans un dialogue subtil avec les impressionnistes. 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