{"id":1952,"date":"2025-04-04T16:30:00","date_gmt":"2025-04-04T14:30:00","guid":{"rendered":"https:\/\/audeladestoiles.com\/?p=1952"},"modified":"2025-04-02T15:36:17","modified_gmt":"2025-04-02T13:36:17","slug":"quand-le-genie-se-conjugue-au-feminin","status":"publish","type":"post","link":"https:\/\/audeladestoiles.com\/index.php\/2025\/04\/04\/quand-le-genie-se-conjugue-au-feminin\/","title":{"rendered":"Quand le g\u00e9nie se conjugue au f\u00e9minin"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”||16px|||” custom_padding=”4px||3px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-12px|auto|-46px|auto||” custom_padding=”4px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”13px” custom_margin=”5px||-2px|||” custom_padding=”0px||5px|||” global_colors_info=”{}”]

Henri Matisse “Marguerite lisant” – Collioure, \u00e9t\u00e9 1906 – Huile sur toile 64,5 x 80,3 cm – Mus\u00e9e de Grenoble\u00a0 – Legs Agutte-Sembat, 1923 – Cr\u00e9dit : Ville de Grenoble \/ Mus\u00e9e de Grenoble-J.L. Lacroix<\/em>
<\/em><\/p>[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-4px|||” custom_padding=”12px||5px|||” global_colors_info=”{}”]

Il y a des muses silencieuses, des mod\u00e8les anonymes, et puis il y a Marguerite, la fille d\u2019Henri Matisse<\/a><\/span>. Bien plus qu\u2019une silhouette pos\u00e9e dans un tableau, elle fut son mod\u00e8le le plus fid\u00e8le, son \u0153il complice et m\u00eame sa partenaire artistique. Et si l\u2019exposition Matisse et Marguerite – Le regard d\u2019un p\u00e8re<\/em>, visible jusqu’au 24 ao\u00fbt 2025 au Mus\u00e9e d\u2019Art Moderne de Paris<\/a><\/span>, raconte d\u2019abord un amour filial, elle dresse aussi le portrait d\u2019une femme libre, forte, et m\u00e9connue \u2013 une figure qui m\u00e9rite de passer, pour une fois, devant le chevalet.<\/span><\/p>\n

Une enfance entre pinceaux, maladie et ruban noir<\/span><\/h3>\n

Marguerite na\u00eet en 1894, d\u2019une relation fugace entre le peintre encore \u00e9tudiant et Caroline Joblaud, l\u2019un de ses mod\u00e8les. D\u00e8s l\u2019enfance, la sant\u00e9 fragile de Marguerite lui impose une premi\u00e8re trach\u00e9otomie \u2013 une intervention chirurgicale qui consiste \u00e0 cr\u00e9er une ouverture dans la trach\u00e9e pour permettre \u00e0 l\u2019air d\u2019atteindre directement les poumons \u2013 et \u00e0 arborer un fameux ruban noir, devenu sa signature dans les portraits de son p\u00e8re. Une question subsiste : l\u2019\u00e9cole ? Tr\u00e8s peu pour elle. Mais les ateliers ? En veux-tu, en voil\u00e0 ! Marguerite devient une vraie \u00ab gosse d\u2019atelier \u00bb, absorbant les couleurs, les exp\u00e9rimentations, les doutes et les audaces de son p\u00e8re. C\u2019est elle, la premi\u00e8re \u00e0 habiter durablement ses toiles, celle \u00e0 qui Matisse confiera ses recherches les plus radicales : fauvisme explosif, simplifications g\u00e9om\u00e9triques, portraits d\u00e9pouill\u00e9s au trait\u2026<\/span><\/p>\n

Un mod\u00e8le, oui, mais pas un mod\u00e8le comme les autres<\/span><\/h3>\n

Dans les tableaux de Matisse, Marguerite n\u2019est jamais seulement \u00ab l\u00e0 pour la beaut\u00e9 du geste \u00bb. Elle est l\u00e0 avec lui. Et parfois contre lui. Elle le pousse, elle r\u00e9siste, elle s\u2019affirme. D\u2019abord enfant songeuse \u2014 comme on le voit dans Marguerite lisant<\/em><\/a><\/span> \u2014 puis adolescente au regard frontal \u2014 Marguerite au chat noir<\/em><\/a><\/span>, 1910 \u2014, elle \u00e9volue avec lui, devenant au fil des ann\u00e9es la complice de ses \u00e9volutions stylistiques. Matisse disait d\u2019ailleurs vouloir atteindre \u00ab l\u2019identification presque compl\u00e8te du peintre et de son mod\u00e8le \u00bb : avec Marguerite, ce v\u0153u semble exauc\u00e9.<\/span><\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][ba_image_carousel content_alignment=”center” autoplay_speed=”3500ms” slide_count=”2″ nav_height=”48px” nav_width=”0px” nav_color=”#000000″ nav_bg=”RGBA(255,255,255,0)” icon_left=”||fa||900″ icon_right=”||fa||900″ pagi_radius=”on||||” slide_count_tablet=”2″ slide_count_phone=”1″ slide_count_last_edited=”on|phone” _builder_version=”4.27.0″ _module_preset=”default” subtitle_level=”h6″ subtitle_font=”||on||||||” subtitle_text_color=”#666666″ subtitle_font_size=”13px” custom_margin=”-20px|||||” custom_padding=”0px|||||” global_colors_info=”{}”][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/1-1-png.webp” sub_title=”Henri Matisse \u201cInt\u00e9rieur \u00e0 la fillette\u201d (La Lecture) – Paris, quai Saint-Michel, automne-hiver 1905-1906 – Huile sur toile 72,7 x 59,7 cm – New York, The Museum of Modern Art – Cr\u00e9dit : Digital image, The Museum of Modern Art,New York \/ Scala, Florence” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/2-png.webp” sub_title=”Henri Matisse – %22Marguerite%22 – Collioure, vers 1906-1907 – Encre noire sur papier 35 x 26,5 cm – Collection particuli\u00e8re, Wayland, Massachusetts – Cr\u00e9dit : Christie’s Images \/ BridgemanImages ” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/3-png.webp” sub_title=”Henri Matisse – %22Margot%22 – Collioure, \u00e9t\u00e9 1906 – Huile sur toile 81 x 65 cm – Kunsthaus Z\u00fcrich, 1925 \u00a9Kunsthaus Museum” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/5-png.webp” sub_title=”Henri Matisse – \u201cMarguerite\u201d – Collioure, hiver 1906-1907 ou printemps 1907 – Huile sur toile 65,1 x 54 cm – Mus\u00e9e national Picasso-Paris Donation Picasso, 1978 – Collection personnelle Pablo Picasso – Cr\u00e9dit : Grand palais RMN (mus\u00e9e national Picasso-Paris) \/Ren\u00e9-Gabriel Ojeda ” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/6-png.webp” sub_title=”Henri Matisse – \u201cT\u00eate blanche et rose\u201d – Paris, quai Saint-Michel, \u00e9t\u00e9 1914 – d\u00e9but 1915 – Huile sur toile 75 x 47 cm – Paris, Centre Pompidou – Mus\u00e9e national d\u2019art moderne \/ Centre de cr\u00e9ation industrielle – Achat en 1976 – Cr\u00e9dit : Centre Pompidou, MNAM-CCI, Dist. GrandPalaisRmn \/ Philippe Migeat” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/7-png.webp” sub_title=”Henri Matisse – \u201cMademoiselle Matisse en manteau \u00e9cossais\u201d – Nice, quai des \u00c9tats-Unis, printemps 1918 – Huile sur toile 73,7 x 55 cm – Collection particuli\u00e8re, New York – Cr\u00e9dit : Christie\u2019s Image Limited 2024″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/8-png.webp” sub_title=”Auteur inconnu Henri Matisse, Am\u00e9lie Matisse et Marguerite Matisse dans l\u2019atelier de Collioure 1907 Photographie Archives Henri Matisse Cr\u00e9dit : Archives Henri Matisse” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/9-png.webp” sub_title=”Henri Matisse – \u201cPortrait de Marguerite\u201d – Issy-les-Moulineaux, 1918 – Huile sur bois 46 x 37,8 cm – West Palm Beach, Floride, Norton Museum of Art – Don de Jean et Martin Goodman, de Palm Beach, Floride, 1986 – Cr\u00e9dit : Norton Museum of Art” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/Lucia-Tallova-CLOUDS-2023-Courtesy-Tomas-Umrian-Contemporary-1-png.webp” sub_title=”Henri Matisse – \u201cLa F\u00eate des fleurs\u201d – Nice, h\u00f4tel de la M\u00e9diterran\u00e9e, 1922 – Huile sur toile65,7 x 93 cm – Baltimore Museum of Art – The Cone Collection, constitu\u00e9e par le Dr Claribel – Cone et Miss Etta Cone de Baltimore, Maryland” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/04\/12-png.webp” sub_title=”Henriette Darricarr\u00e8re – \u201cS\u00e9ance de pose \u00e0 Nice pour le tableau Conversation sous les oliviers\u201d (Marguerite et Henri Matisse) – 1921 Photographie Archives Henri Matisse – Cr\u00e9dit : Archives Henri Matisse” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][\/ba_image_carousel][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”3px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-1px|||” custom_padding=”12px||5px|||” global_colors_info=”{}”]

La muse s\u2019\u00e9mancipe : peinture, mode et R\u00e9sistance<\/span><\/h3>\n

Ce que l\u2019exposition r\u00e9v\u00e8le aussi, c\u2019est que Marguerite ne s\u2019est jamais content\u00e9e de son r\u00f4le de mod\u00e8le. Elle peint, et plut\u00f4t bien, expose, tente m\u00eame une incursion dans la mode avec une collection de v\u00eatements. Et pendant la Seconde Guerre mondiale, elle entre en R\u00e9sistance, au p\u00e9ril de sa vie. Arr\u00eat\u00e9e, tortur\u00e9e, puis miraculeusement lib\u00e9r\u00e9e avant sa d\u00e9portation, elle revient aupr\u00e8s de son p\u00e8re, qui, boulevers\u00e9, lui consacre une derni\u00e8re s\u00e9rie de portraits aussi sobres que poignants.<\/span><\/p>\n

Une relation fusionnelle, mais pas fig\u00e9e<\/span><\/h3>\n

L\u2019exposition suit le fil chronologique de cette relation. On y voit Marguerite traverser les d\u00e9cennies, du fauvisme \u00e0 l\u2019exp\u00e9rimentation radicale, de l\u2019enfance insouciante aux \u00e9preuves les plus dures. On comprend aussi \u00e0 quel point elle fut essentielle dans la gestion de l\u2019\u0153uvre de Matisse : secr\u00e9taire, agente, gardienne vigilante de son h\u00e9ritage. Loin d\u2019\u00eatre l\u2019ombre de son p\u00e8re, elle en fut la lumi\u00e8re discr\u00e8te \u2013 celle qui \u00e9claire, guide et veille.<\/span><\/p>\n

Une expo \u00e0 voir en famille\u2026 ou en solo avec un bon mouchoir<\/span><\/h3>\n

Le Mus\u00e9e d\u2019Art Moderne de Paris ne se contente pas de pr\u00e9senter 110 \u0153uvres majeures, dont certaines jamais montr\u00e9es en France : il y ajoute des archives, des lettres, une biographie in\u00e9dite, des vid\u00e9os, et m\u00eame une exp\u00e9rience en r\u00e9alit\u00e9 virtuelle autour de La Danse<\/em>. Et si vous venez en famille, un espace ludique attend petits et grands pour cr\u00e9er, s\u2019\u00e9mouvoir, et peut-\u00eatre m\u00eame se (re)d\u00e9couvrir.<\/span><\/p>\n

En r\u00e9digeant l\u2019article, une pens\u00e9e m\u2019est venue<\/span><\/h3>\n

Peut-\u00eatre que le vrai sujet ici, ce n\u2019est pas seulement Matisse, ni m\u00eame Marguerite, mais ce lien rare entre un parent et son enfant, quand l\u2019amour, le respect et l\u2019art se r\u00e9pondent comme un \u00e9cho silencieux.<\/span><\/p>\n

\n

<\/span><\/p>\n<\/blockquote>\n

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\u00c0 d\u00e9couvrir<\/strong><\/p>[\/et_pb_text][et_pb_divider _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”3″ include_categories=”all” show_more=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px|18px|0px|18px|true|true” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Matisse et Marguerite – Le regard d\u2019un p\u00e8re<\/p>\n","protected":false},"author":1,"featured_media":1953,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[9],"tags":[],"class_list":["post-1952","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-la-une"],"yoast_head":"\nQuand le g\u00e9nie se conjugue au f\u00e9minin : Matisse et Marguerite - Le regard d\u2019un p\u00e8re<\/title>\n<meta name=\"description\" content=\"L\u2019exposition Matisse et Marguerite - Le regard d\u2019un p\u00e8re d\u00e9voile une relation filial et artistique entre Henri Matisse et sa fille Marguerite, muse, mod\u00e8le, r\u00e9sistante et actrice cl\u00e9 de son \u0153uvre. 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