{"id":1863,"date":"2025-03-27T16:30:00","date_gmt":"2025-03-27T15:30:00","guid":{"rendered":"https:\/\/audeladestoiles.com\/?p=1863"},"modified":"2025-04-02T14:03:47","modified_gmt":"2025-04-02T12:03:47","slug":"drawing-now-paris","status":"publish","type":"post","link":"https:\/\/audeladestoiles.com\/index.php\/2025\/03\/27\/drawing-now-paris\/","title":{"rendered":"Drawing Now Paris"},"content":{"rendered":"\n[et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”||16px|||” custom_padding=”4px||3px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”-12px|auto|-46px|auto||” custom_padding=”4px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font_size=”13px” custom_margin=”5px||-2px|||” custom_padding=”0px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Dom Simon, A Touch of Hopper III, 2024, stylo a\u0300 bille, crayon de couleur, papier Canson, 88 x 110 cm. Courtoisie de l\u2019artiste et de la galerie Rodler Gschwenter<\/em><\/p>[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-4px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

Chaque printemps, le Carreau du Temple<\/a><\/span> devient le terrain de jeu du trait sous toutes ses formes. Drawing Now Paris<\/em>, le salon du dessin contemporain, c\u00e9l\u00e8bre en 2025 sa 18e \u00e9dition. Un \u00e2ge symbolique pour une foire qui n\u2019a de cesse de questionner l\u2019essence m\u00eame du dessin, tout en accompagnant les artistes \u00e9mergents dans une sc\u00e8ne artistique en pleine mutation.<\/span><\/p>\n

Le dessin contemporain : un m\u00e9dium en mutation<\/span><\/h3>\n

Le dessin d\u2019aujourd\u2019hui n\u2019est plus seulement affaire de crayon sur papier. Il s\u2019\u00e9mancipe, s\u2019\u00e9tire, se d\u00e9ploie sur de nouveaux supports, adoptant des formes inattendues. \u00c0 travers les secteurs Process et Insight, Drawing Now<\/em> met en lumi\u00e8re ces pratiques qui d\u00e9bordent des cadres traditionnels. Des vid\u00e9os anim\u00e9es aux exp\u00e9rimentations avec des mat\u00e9riaux vivants ou num\u00e9riques, le dessin devient mouvant, poreux, hybride.<\/span><\/p>\n

Certains artistes, comme M\u00e9lanie Berger (Archiraar Gallery), traitent le papier comme un organisme vivant, alt\u00e9rable, travers\u00e9 d\u2019interactions avec l\u2019environnement. D\u2019autres, comme Violaine Lochu (Analix Forever), utilisent la voix comme prolongement du trait, entre dessin, langage et performance. Le m\u00e9dium se fait langage universel, interface po\u00e9tique, voire manifeste.<\/span><\/p>\n

Cette pluralit\u00e9 de formes n\u2019est pas un simple effet de mode. Elle traduit une volont\u00e9 d\u2019\u00e9largir les possibles, d\u2019ouvrir des espaces d\u2019expression in\u00e9dits pour penser autrement notre rapport au corps, au monde, \u00e0 la mati\u00e8re. Et c\u2019est pr\u00e9cis\u00e9ment ce que Drawing Now<\/em> cherche \u00e0 capter et r\u00e9v\u00e9ler chaque ann\u00e9e : un dessin qui respire, qui bouge, qui s\u2019affranchit.<\/span><\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][ba_image_carousel content_alignment=”center” autoplay_speed=”3500ms” slide_count=”2″ nav_height=”48px” nav_width=”0px” nav_color=”#000000″ nav_bg=”RGBA(255,255,255,0)” icon_left=”||fa||900″ icon_right=”||fa||900″ pagi_radius=”on||||” slide_count_tablet=”2″ slide_count_phone=”1″ slide_count_last_edited=”on|phone” _builder_version=”4.27.0″ _module_preset=”default” subtitle_level=”h6″ subtitle_font=”||on||||||” subtitle_text_color=”#666666″ subtitle_font_size=”13px” custom_margin=”-20px|||||” custom_padding=”0px|||||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Alireza Shojaian, Le de\u0301mon blanc et l\u2019arbre en feu, 2024, acrylique et crayon de couleur sur bois, 80 x 60 cm. Courtoisie de l\u2019artiste et de la galerie Bendana _ Pinel Art Contemporain” title_text=”Alireza Shojaian, Le de\u0301mon blanc et l\u2019arbre en feu, 2024, acrylique et crayon de couleur sur bois, 80 x 60 cm. Courtoisie de l\u2019artiste et de la galerie Bendana _ Pinel Art Contemporain” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Alireza-Shojaian-Le-demon-blanc-et-larbre-en-feu-2024-acrylique-et-crayon-de-couleur-sur-bois-80-x-60-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Bendana-_-Pinel-Art-Contemporain-png.webp” sub_title=”Alireza Shojaian, Le de\u0301mon blanc et l\u2019arbre en feu, 2024, acrylique et crayon de couleur sur bois, 80 x 60 cm. Courtoisie de l\u2019artiste et de la galerie Bendana _ Pinel Art Contemporain” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Arno Luzamba Bompere, Utopie concre\u0300te pour un retour a\u0300 l \u2018essence, 2021, technique mixte, aquarelle et collage sur papier, 29,7 x 42 cm. Courtoisie de l\u2019artiste et de la galerie Backslash” title_text=”Arno Luzamba Bompere, Utopie concre\u0300te pour un retour a\u0300 l \u2018essence, 2021, technique mixte, aquarelle et collage sur papier, 29,7 x 42 cm. Courtoisie de l\u2019artiste et de la galerie Backslash” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Arno-Luzamba-Bompere-Utopie-concrete-pour-un-retour-a-l-\u2018essence-2021-technique-mixte-aquarelle-et-collage-sur-papier-297-x-42-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Backslash-png.webp” sub_title=”Arno Luzamba Bompere, Utopie concre\u0300te pour un retour a\u0300 l \u2018essence, 2021, technique mixte, aquarelle et collage sur papier, 29,7 x 42 cm. Courtoisie de l\u2019artiste et de la galerie Backslash” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Bernard Moninot, Nuages #4, 2023, acrylique sur papier, 12 x 16 cm. Courtoisie de l\u2019artiste et de la galerie Catherine Putman” title_text=”Bernard Moninot, Nuages #4, 2023, acrylique sur papier, 12 x 16 cm. Courtoisie de l\u2019artiste et de la galerie Catherine Putman” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Bernard-Moninot-Nuages-4-2023-acrylique-sur-papier-12-x-16-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Catherine-Putman-png.webp” sub_title=”Bernard Moninot, Nuages #4, 2023, acrylique sur papier, 12 x 16 cm. Courtoisie de l\u2019artiste et de la galerie Catherine Putman” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Dom Simon, A Touch of Hopper III, 2024, stylo a\u0300 bille, crayon de couleur, papier Canson, 88 x 110 cm. Courtoisie de l\u2019artiste et de la galerie Rodler Gschwenter” title_text=”Dom Simon, A Touch of Hopper III, 2024, stylo a\u0300 bille, crayon de couleur, papier Canson, 88 x 110 cm. Courtoisie de l\u2019artiste et de la galerie Rodler Gschwenter” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Dom-Simon-A-Touch-of-Hopper-III-2024-stylo-a-bille-crayon-de-couleur-papier-Canson-88-x-110-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Rodler-Gschwenter-png.webp” sub_title=”Dom Simon, A Touch of Hopper III, 2024, stylo a\u0300 bille, crayon de couleur, papier Canson, 88 x 110 cm. Courtoisie de l\u2019artiste et de la galerie Rodler Gschwenter” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Elene Usdin, Robert Memories, 2023, crayon et gouache sur papier, 150 x 200 cm. Courtoisie de l\u2019artiste et de la galerie Barbier” title_text=”Elene Usdin, Robert Memories, 2023, crayon et gouache sur papier, 150 x 200 cm. Courtoisie de l\u2019artiste et de la galerie Barbier” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Elene-Usdin-Robert-Memories-2023-crayon-et-gouache-sur-papier-150-x-200-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Barbier-png.webp” sub_title=”Elene Usdin, Robert Memories, 2023, crayon et gouache sur papier, 150 x 200 cm. Courtoisie de l\u2019artiste et de la galerie Barbier” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Lucas Ribeyron, La Pieta\u0301, after Michel-Ange after Mellan after Hupka, 2018, encre et fusain sur papier, 140 x 240 cm. Courtoisie de l\u2019artiste et de la galerie Taglialatella” title_text=”Lucas Ribeyron, La Pieta\u0301, after Michel-Ange after Mellan after Hupka, 2018, encre et fusain sur papier, 140 x 240 cm. Courtoisie de l\u2019artiste et de la galerie Taglialatella” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Lucas-Ribeyron-La-Pieta-after-Michel-Ange-after-Mellan-after-Hupka-2018-encre-et-fusain-sur-papier-140-x-240-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Taglialatella-png.webp” sub_title=”Lucas Ribeyron, La Pieta\u0301, after Michel-Ange after Mellan after Hupka, 2018, encre et fusain sur papier, 140 x 240 cm. Courtoisie de l\u2019artiste et de la galerie Taglialatella” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Mbaye Diop, Sans titre, 2024, pastel a\u0300 l\u2019huile sur papier, 50 x 70 cm. Courtoisie de l\u2019artiste et de la galerie Selebe Yoon” title_text=”Mbaye Diop, Sans titre, 2024, pastel a\u0300 l\u2019huile sur papier, 50 x 70 cm. Courtoisie de l\u2019artiste et de la galerie Selebe Yoon” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Mbaye-Diop-Sans-titre-2024-pastel-a-lhuile-sur-papier-50-x-70-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Selebe-Yoon-png.webp” sub_title=”Mbaye Diop, Sans titre, 2024, pastel a\u0300 l\u2019huile sur papier, 50 x 70 cm. Courtoisie de l\u2019artiste et de la galerie Selebe Yoon” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Oda Jaune, T like Tea(r)colors, 2023, aquarelle sur papier teinte\u0301, 38 x 31,5 cm. Courtoisie de l\u2019artiste et de la galerie Templon” title_text=”Oda Jaune, T like Tea(r)colors, 2023, aquarelle sur papier teinte\u0301, 38 x 31,5 cm. Courtoisie de l\u2019artiste et de la galerie Templon” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Oda-Jaune-T-like-Tearcolors-2023-aquarelle-sur-papier-teinte-38-x-315-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Templon-png.webp” sub_title=”Oda Jaune, T like Tea(r)colors, 2023, aquarelle sur papier teinte\u0301, 38 x 31,5 cm. Courtoisie de l\u2019artiste et de la galerie Templon” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Orianne Castel, Vue, 2024, encre et crayon sur papier cartonne\u0301, 10,5 x 15 cm. Courtoisie de l\u2019artiste et de la galerie Analix Forever” title_text=”Orianne Castel, Vue, 2024, encre et crayon sur papier cartonne\u0301, 10,5 x 15 cm. Courtoisie de l\u2019artiste et de la galerie Analix Forever” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Orianne-Castel-Vue-2024-encre-et-crayon-sur-papier-cartonne-105-x-15-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Analix-Forever-png.webp” sub_title=”Orianne Castel, Vue, 2024, encre et crayon sur papier cartonne\u0301, 10,5 x 15 cm. Courtoisie de l\u2019artiste et de la galerie Analix Forever” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Philippe Hortala, Pa\u0302tisseries, 1988, crayon gras sur papier, 61,5 x 52 cm. Courtoisie de l\u2019artiste et de la galerie Henri Chartier et ayant droit” title_text=”Philippe Hortala, Pa\u0302tisseries, 1988, crayon gras sur papier, 61,5 x 52 cm. Courtoisie de l\u2019artiste et de la galerie Henri Chartier et ayant droit” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Philippe-Hortala-Patisseries-1988-crayon-gras-sur-papier-615-x-52-cm.-Courtoisie-de-lartiste-et-de-la-galerie-Henri-Chartier-et-ayant-droit-png.webp” sub_title=”Philippe Hortala, Pa\u0302tisseries, 1988, crayon gras sur papier, 61,5 x 52 cm. Courtoisie de l\u2019artiste et de la galerie Henri Chartier et ayant droit” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Sylvain Le Corre, BEARING WITNESS – Lapidaire #3, aquarelle et graphite sur papier, 30 x 40 cm, Copyright Studio Sylvain Le Corre, courtoisie de l\u2019artiste et de la galerie Antoine Dupin” title_text=”Sylvain Le Corre, BEARING WITNESS – Lapidaire #3, aquarelle et graphite sur papier, 30 x 40 cm, Copyright Studio Sylvain Le Corre, courtoisie de l\u2019artiste et de la galerie Antoine Dupin” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Sylvain-Le-Corre-BEARING-WITNESS-Lapidaire-3-aquarelle-et-graphite-sur-papier-30-x-40-cm-Copyright-Studio-Sylvain-Le-Corre-courtoisie-de-lartiste-et-de-la-galerie-Antoine-Dupin-png.webp” sub_title=”Sylvain Le Corre, BEARING WITNESS – Lapidaire #3, aquarelle et graphite sur papier, 30 x 40 cm, Copyright Studio Sylvain Le Corre, courtoisie de l\u2019artiste et de la galerie Antoine Dupin” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Tiziano Foucault-Gini, Eclat, 2024, graphite sur papier, 9 x 10,7 cm, encadre\u0301 51,5 x 37 cm. Courtoisie de l\u2019artiste et de la galerie C Neucha\u0302tel-Paris” title_text=”Tiziano Foucault-Gini, Eclat, 2024, graphite sur papier, 9 x 10,7 cm, encadre\u0301 51,5 x 37 cm. Courtoisie de l\u2019artiste et de la galerie C Neucha\u0302tel-Paris” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Tiziano-Foucault-Gini-Eclat-2024-graphite-sur-papier-9-x-107-cm-encadre-515-x-37-cm.-Courtoisie-de-lartiste-et-de-la-galerie-C-Neuchatel-Paris-png.webp” sub_title=”Tiziano Foucault-Gini, Eclat, 2024, graphite sur papier, 9 x 10,7 cm, encadre\u0301 51,5 x 37 cm. Courtoisie de l\u2019artiste et de la galerie C Neucha\u0302tel-Paris” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][\/ba_image_carousel][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”3px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-1px|||” custom_padding=”12px||5px|||” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]

L\u2019envers du d\u00e9cor : s\u00e9lection, partis pris et sc\u00e8nes \u00e9mergentes<\/span><\/h3>\n

Mais comment ces artistes acc\u00e8dent-ils \u00e0 cet espace de visibilit\u00e9 ? Le salon repose sur une s\u00e9lection exigeante, assur\u00e9e par un comit\u00e9 compos\u00e9 de critiques, curateurs et directeurs d\u2019institutions. Un choix fort, qui permet \u00e0 Drawing Now<\/em> d\u2019affirmer une ligne artistique coh\u00e9rente tout en s\u2019ouvrant \u00e0 la jeune cr\u00e9ation.<\/span><\/p>\n

Les secteurs Insight et Process illustrent parfaitement cette volont\u00e9 d\u2019audace. Le premier met en avant des galeries \u00e9mergentes ou des artistes encore peu connus du public. Le second invite \u00e0 l\u2019exp\u00e9rimentation et \u00e0 la co-cr\u00e9ation, avec des projets construits entre artistes, galeristes et commissaires. C\u2019est l\u00e0 que l\u2019on d\u00e9couvre souvent les propositions les plus novatrices, les plus d\u00e9concertantes aussi \u2014 celles qui red\u00e9finissent ce que le dessin peut \u00eatre.<\/span><\/p>\n

Pour de nombreuses galeries comme 22,48 m\u00b2 (Romainville) ou lilia ben salah (Paris), participer \u00e0 Drawing Now<\/em> est un enjeu strat\u00e9gique, autant qu\u2019un gage de reconnaissance. Le salon est devenu un lieu de rencontres professionnelles, de rep\u00e9rage de talents, et un v\u00e9ritable barom\u00e8tre des tendances graphiques actuelles.<\/span><\/p>\n

Du salon \u00e0 la reconnaissance : le r\u00f4le de tremplin de Drawing Now<\/span><\/h3>\n

Au-del\u00e0 de l\u2019exposition, Drawing Now<\/em> agit aussi comme un acc\u00e9l\u00e9rateur de trajectoires. Le Prix Drawing Now, d\u00e9cern\u00e9 depuis 14 \u00e9ditions, met en lumi\u00e8re un\u00b7e artiste pour la coh\u00e9rence de sa pratique dessin\u00e9e. \u00c0 la cl\u00e9 : une dotation, une exposition personnelle et souvent, un coup de projecteur d\u00e9cisif.<\/span><\/p>\n

Mais m\u00eame sans distinction officielle, la simple pr\u00e9sence au salon peut marquer un tournant. Les collectionneurs, les institutions, les critiques y scrutent attentivement les nouvelles \u00e9critures. \u00catre visible \u00e0 Drawing Now<\/em>, c\u2019est entrer dans une cartographie du dessin qui d\u00e9passe les fronti\u00e8res et les \u00e9tiquettes. C\u2019est rejoindre une sc\u00e8ne en constante red\u00e9finition, o\u00f9 l\u2019exp\u00e9rimentation est une n\u00e9cessit\u00e9, non une exception.<\/span><\/p>\n

Dessiner demain : entre m\u00e9tamorphose du trait et \u00e9closion des talents<\/span><\/h3>\n

Ce que r\u00e9v\u00e8le Drawing Now<\/em>, ann\u00e9e apr\u00e8s ann\u00e9e, c\u2019est qu\u2019il n\u2019y a plus de limites au dessin. Il s\u2019agit d\u2019un territoire mouvant, une zone d\u2019essai o\u00f9 cohabitent le geste intime et la revendication politique, l\u2019abstraction radicale et le r\u00e9cit fragment\u00e9.<\/span><\/p>\n

En soutenant les artistes qui repoussent ces fronti\u00e8res, le salon ne se contente pas de refl\u00e9ter l\u2019\u00e9volution du dessin contemporain : il la stimule. Il offre \u00e0 ces pratiques une sc\u00e8ne, une l\u00e9gitimit\u00e9, et peut-\u00eatre m\u00eame, un avenir.<\/span><\/p>\n

<\/span><\/h3>\n
\n

<\/span><\/p>\n<\/blockquote>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px||6px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” background_color=”#F2F0E6″ min_height=”538px” custom_padding=”28px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#4A4A4A” text_font_size=”26px” custom_padding=”|18px||18px|true|true” global_colors_info=”{}”]

\u00c0 d\u00e9couvrir<\/strong><\/p>[\/et_pb_text][et_pb_divider _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”3″ include_categories=”all” show_more=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px|18px|0px|18px|true|true” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

Quand le salon repousse les fronti\u00e8res du dessin et fa\u00e7onne l\u2019avenir des artistes<\/p>\n","protected":false},"author":1,"featured_media":1867,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[10],"tags":[],"class_list":["post-1863","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"yoast_head":"\nDrawing Now Paris : Entre exp\u00e9rimentation et r\u00e9v\u00e9lation de talents<\/title>\n<meta name=\"description\" content=\"\u00c0 l\u2019occasion de la 18e \u00e9dition de Drawing Now Paris, le salon interroge les fronti\u00e8res du dessin contemporain tout en r\u00e9v\u00e9lant de nouveaux talents. 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