{"id":1824,"date":"2025-03-24T17:46:33","date_gmt":"2025-03-24T16:46:33","guid":{"rendered":"https:\/\/audeladestoiles.com\/?p=1824"},"modified":"2025-03-29T20:05:19","modified_gmt":"2025-03-29T19:05:19","slug":"femmes-lexposition-engagee-de-pharrell-williams","status":"publish","type":"post","link":"https:\/\/audeladestoiles.com\/index.php\/2025\/03\/24\/femmes-lexposition-engagee-de-pharrell-williams\/","title":{"rendered":"FEMMES : l’exposition engag\u00e9e de Pharrell Williams"},"content":{"rendered":"

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Views of the exhibition \u2018FEMMES curated by Pharrell Williams\u2019 at Perrotin Paris, 2025. Photo Claire Dorn. Courtesy of all the artists and Perrotin \u00a9 ADAGP, Paris, 2025<\/p>\n

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La galerie Perrotin<\/a><\/span> frappe fort en ce d\u00e9but d\u2019ann\u00e9e avec FEMMES<\/em>, une exposition ambitieuse et engag\u00e9e, orchestr\u00e9e par Pharrell Williams<\/a><\/span>. Pr\u00e9sent\u00e9e du 20 mars au 19 avril 2025, cette exposition collective r\u00e9unit pr\u00e8s de 40 artistes et met \u00e0 l\u2019honneur les cr\u00e9ateurs et cr\u00e9atrices afrodescendants, tout en questionnant les notions de visibilit\u00e9 et d\u2019\u00e9quit\u00e9 dans le monde de l\u2019art contemporain.<\/span><\/p>\n

Une exploration de l\u2019identit\u00e9 noire sous toutes ses formes<\/span><\/h3>\n

Avec FEMMES<\/em>, Pharrell Williams prolonge l\u2019engagement artistique initi\u00e9 en 2014 avec G I R L<\/em>, mais avec une ambition nouvelle. Le choix d\u2019un titre au pluriel et en fran\u00e7ais souligne la diversit\u00e9 des r\u00e9cits port\u00e9s par les artistes expos\u00e9s. Des figures majeures comme Betye Saar et Carrie Mae Weems c\u00f4toient des talents contemporains tels que Zanele Muholi, Tschabalala Self, Kenturah Davis, Prince Gyasi et Nina Chanel Abney, offrant une vision riche et nuanc\u00e9e de l\u2019identit\u00e9 noire \u00e0 travers diff\u00e9rentes pratiques artistiques.<\/span><\/p>\n

L\u2019exposition se construit autour de plusieurs axes : l\u2019h\u00e9ritage et la transmission, explor\u00e9s par Emma Prempeh et Mequitta Ahuja \u00e0 travers des \u0153uvres m\u00ealant m\u00e9moire familiale et repr\u00e9sentations symboliques ; le textile comme langage, avec Georgina Maxim et Kapwani Kiwanga, qui revisitent des savoir-faire ancestraux pour interroger le pr\u00e9sent ; la repr\u00e9sentation des corps noirs, r\u00e9invent\u00e9e par Prince Gyasi, Otis Kwame Kye Quaicoe, Henry Taylor et Glenn Ligon, qui jouent avec couleurs et textures pour d\u00e9passer les codes classiques du portrait ; et enfin, la question des r\u00e9cits historiques, abord\u00e9e par Malala Andrialavidrazana et Jess Atieno, dont les \u0153uvres d\u00e9construisent les visions dominantes du pass\u00e9.<\/span><\/p>\n

Pharrell Williams, un curateur inattendu mais l\u00e9gitime<\/span><\/h3>\n

L\u2019association entre la galerie Perrotin et Pharrell Williams n\u2019est pas une surprise pour ceux qui suivent la carri\u00e8re du chanteur-producteur. Passionn\u00e9 d\u2019art contemporain, il avait d\u00e9j\u00e0 collabor\u00e9 avec Takashi Murakami et particip\u00e9 \u00e0 des expositions \u00e0 la galerie Perrotin, notamment Perspectives<\/em> en 2008 et G I R L<\/em> en 2014. Avec FEMMES<\/em>, il affirme son r\u00f4le de curateur et met son influence au service d\u2019une cause essentielle : la reconnaissance des artistes afrodescendants dans l\u2019histoire de l\u2019art.<\/span><\/p>\n

Au-del\u00e0 de son prestige dans la musique et la mode, Pharrell Williams apporte une sensibilit\u00e9 artistique et une v\u00e9ritable r\u00e9flexion sur les th\u00e8mes abord\u00e9s dans l\u2019exposition. En tant que directeur artistique chez Louis Vuitton pour la mode masculine, il a d\u00e9velopp\u00e9 une esth\u00e9tique unique qui trouve ici un \u00e9cho dans les \u0153uvres expos\u00e9es. FEMMES<\/em> n\u2019est donc pas qu\u2019une exposition, mais une plateforme de dialogues artistiques o\u00f9 l\u2019art, la mode et la culture populaire se rencontrent.<\/span><\/p>\n

<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][ba_image_carousel content_alignment=”center” autoplay_speed=”3500ms” slide_count=”2″ nav_height=”48px” nav_width=”0px” nav_color=”#000000″ nav_bg=”RGBA(255,255,255,0)” icon_left=”||fa||900″ icon_right=”||fa||900″ pagi_radius=”on||||” slide_count_tablet=”2″ slide_count_phone=”1″ slide_count_last_edited=”on|phone” _builder_version=”4.27.0″ _module_preset=”default” subtitle_level=”h6″ subtitle_font=”||on||||||” subtitle_text_color=”#666666″ subtitle_font_size=”13px” custom_margin=”-20px|||||” custom_padding=”0px|||||” global_colors_info=”{}”][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Alex-Gardner-Pulsing-2025.-Acrylic-on-canvas.-121.92-\u00d7121.92-cm-_-48-1_16-\u00d748-1_16-in.-Courtesy-of-the-artist-and-Perrotin-png.webp” sub_title=”Alex Gardner, Pulsing, 2025. Acrylic on canvas. 121.92 \u00d7121.92 cm _ 48 1_16 \u00d748 1_16 in. Courtesy of the artist and Perrotin” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Chiffon-Thomas-Untitled-2024.-Bronze-stained-glass-steel.-26.7-\u00d7-19.1-\u00d7-12.7-cm-_-10-1_2-\u00d7-7-1_2-\u00d7-5-1_2-in.-Photo_-Tanguy-Beurdeley.-Courtesy-of-the-artist-and-Perrotin-png.webp” sub_title=”Chiffon Thomas, Untitled, 2024. Bronze, stained glass, steel. 26.7 \u00d7 19.1 \u00d7 12.7 cm _ 10 1_2 \u00d7 7 1_2 \u00d7 5 1_2 in. Photo_ Tanguy Beurdeley. Courtesy of the artist and Perrotin” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Emma-Prempeh-Finally-Im-Home-2025.-Oil-Acrylic-and-Schlag-Metal-on-canvas.-200-\u00d7-130-cm.-Courtesy-of-the-artist-and-Tiwani-Contemporary-png.webp” sub_title=”Emma Prempeh, Finally I\u2019m Home, 2025. Oil, Acrylic and Schlag Metal on canvas. 200 \u00d7 130 cm. Courtesy of the artist and Tiwani Contemporary” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Georgina-Maxim-Revealing-what-you-do-not-want-to-meet-again-I-2024-Mixed-Media-Textile-128-x-140-cm-Photo_-Tatenda-Gora-Courtesy-of-the-artist-png.webp” sub_title=”Georgina Maxim Revealing what you do not want to meet again I, 2024 Mixed Media Textile 128 x 140 cm Photo_ Tatenda Gora Courtesy of the artist” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Views-of-the-exhibition-\u2018FEMMES-curated-by-Pharrell-Williams-at-Perrotin-Paris-2025.-Photo_-Claire-Dorn.-Courtesy-of-all-the-artists-and-Perrotin-\u00a9-ADAGP-Paris-2025-2-png.webp” sub_title=”Views of the exhibition \u2018FEMMES curated by Pharrell Williams\u2019 at Perrotin Paris, 2025. Photo_ Claire Dorn. Courtesy of all the artists and Perrotin \u00a9 ADAGP, Paris, 2025″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Illusion-of-Freedom-2009-Mixed-media-assemblage-48.9-x-47-x-27.9-cm-I-19.25-x-18.5-x-11-in-Photo_-Paul-Salveson-\u00a9BetyeSaar.-Courtesy-of-the-artist-and-Roberts-Projects-Los-Angeles-png.webp” sub_title=”Illusion of Freedom, 2009 Mixed media assemblage 48.9 x 47 x 27.9 cm I 19.25 x 18.5 x 11 in Photo_ Paul Salveson \u00a9BetyeSaar. Courtesy of the artist and Roberts Projects, Los Angeles” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Seyni-Awa-Camara-Sans-titre-2023-Terre-cuite-95-\u00d7-35-\u00d7-31-cm-_-37-3_8-\u00d7-13-3_4-\u00d7-12-3_16-inches-Photo_-Nohan-Ferreira-Courtesy-of-the-artist-and-galery-MAGNIN-A-Paris-png.webp” sub_title=”Seyni Awa Camara Sans titre, 2023 Terre cuite 95 \u00d7 35 \u00d7 31 cm _ 37 3_8 \u00d7 13 3_4 \u00d7 12 3_16 inches Photo_ Nohan Ferreira Courtesy of the artist and galery MAGNIN-A, Paris” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Thandiwe-Muriu-A-Constellation-of-Power-2025-Photography-Jet-Ink-Print-of-FineArt-RAG-MATT-310g-150-x-100-cm-I-59-x-39-3_8-in-Courtesy-of-193-Gallery-png.webp” sub_title=”Thandiwe Muriu A Constellation of Power, 2025 Photography – Jet Ink Print of FineArt RAG+ MATT 310g 150 x 100 cm I 59 x 39 3_8 in Courtesy of 193 Gallery” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/Views-of-the-exhibition-\u2018FEMMES-curated-by-Pharrell-Williams-at-Perrotin-Paris-2025.-Photo_-Claire-Dorn.-Courtesy-of-all-the-artists-and-Perrotin-\u00a9-ADAGP-Paris-2025-png.webp” sub_title=”Views of the exhibition \u2018FEMMES curated by Pharrell Williams\u2019 at Perrotin Paris, 2025. Photo_ Claire Dorn. Courtesy of all the artists and Perrotin \u00a9 ADAGP, Paris, 2025″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/12-1-png.webp” sub_title=”Zanele Muholi, Simthembile I, East London, 2017. Baryta print. Image and paper size: 35.1 \u00d7 21.5 in. | 80 \u00d7 54.6 cm. Edition of 8 + 2AP. Courtesy Zanele Muholi; Southern Guild, Cape Town\/Los Angeles; and Yancey Richardson, New York. \u00a9Zanele Muholi.” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][ba_image_carousel_child photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2025\/03\/123-png.webp” sub_title=”Robert Pruitt, Figure Crowned in T.S.U. Ceramic Headdress (After Roy Vinson Thomas), 2024. Charcoal, Cont\u00e9, pastel and coffee wash on paper. 213.4 \u00d7 152.4 cm I 84 \u00d7 60 in. Photo: Elizabeth Bernstein. Courtesy the Artist and Salon 94.” _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/ba_image_carousel_child][\/ba_image_carousel][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”3px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” custom_margin=”5px||-1px|||” custom_padding=”12px||5px|||” global_colors_info=”{}”]<\/p>\n

Les premi\u00e8res retomb\u00e9es : un accueil enthousiaste<\/span><\/h3>\n

Depuis l’annonce de l’exposition, les premiers \u00e9chos sont tr\u00e8s positifs. Les critiques saluent une initiative pertinente et n\u00e9cessaire, qui remet en lumi\u00e8re des artistes trop souvent marginalis\u00e9s. Des magazines comme ARTnews<\/em>, Le Quotidien de l’Art<\/em> et T\u00e9l\u00e9rama<\/em> ont d\u00e9j\u00e0 consacr\u00e9 des articles \u00e0 l\u2019exposition, soulignant la richesse de la s\u00e9lection et l\u2019\u00e9clectisme des m\u00e9diums pr\u00e9sent\u00e9s.<\/span><\/p>\n

Certains experts du monde de l’art voient en FEMMES<\/em> une r\u00e9ponse \u00e0 un besoin urgent de diversit\u00e9 et d’inclusion dans les institutions culturelles. D’autres applaudissent la mani\u00e8re dont l’exposition dialogue avec l’histoire de l’art et les mouvements d\u2019\u00e9mancipation f\u00e9minine et noire. Les r\u00e9seaux sociaux s\u2019enflamment \u00e9galement autour de l\u2019\u00e9v\u00e9nement, avec des publications enthousiastes de visiteurs et d\u2019influenceurs du monde artistique.<\/span><\/p>\n

Pourquoi ne pas manquer FEMMES<\/em> ?<\/span><\/h3>\n

Si vous \u00eates \u00e0 Paris entre le 20 mars et le 19 avril 2025, FEMMES<\/em> est une exposition \u00e0 ne pas rater. D’une part pour la qualit\u00e9 des \u0153uvres pr\u00e9sent\u00e9es, mais aussi pour l’opportunit\u00e9 de d\u00e9couvrir des artistes dont l’impact ne fait que grandir. Que vous soyez passionn\u00e9 d\u2019art contemporain, engag\u00e9 dans les questions de repr\u00e9sentation ou simplement curieux, cette exposition promet une immersion dans un univers o\u00f9 l\u2019art et l\u2019identit\u00e9 se rencontrent avec force et \u00e9motion.<\/span><\/p>\n

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<\/span><\/p>\n<\/blockquote>\n

<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px||6px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” background_color=”#F2F0E6″ min_height=”538px” custom_padding=”28px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#4A4A4A” text_font_size=”26px” custom_padding=”|18px||18px|true|true” global_colors_info=”{}”]<\/p>\n

\u00c0 d\u00e9couvrir<\/strong><\/p>\n

[\/et_pb_text][et_pb_divider _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_blog fullwidth=”off” posts_number=”3″ include_categories=”all” show_more=”on” _builder_version=”4.27.0″ _module_preset=”default” custom_padding=”0px|18px|0px|18px|true|true” global_colors_info=”{}”][\/et_pb_blog][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c0 la galerie Perrotin<\/p>\n","protected":false},"author":1,"featured_media":1826,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[10],"tags":[],"class_list":["post-1824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"yoast_head":"\nFEMMES : l'exposition engag\u00e9e de Pharrell Williams\u00e0 la galerie Perrotin<\/title>\n<meta name=\"description\" content=\"Pharrell Williams et la galerie Perrotin d\u00e9voilent FEMMES, une exposition rassemblant pr\u00e8s de 40 artistes afrodescendants. 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