{"id":1025,"date":"2024-10-24T14:37:28","date_gmt":"2024-10-24T12:37:28","guid":{"rendered":"https:\/\/audeladestoiles.com\/?p=1025"},"modified":"2024-12-09T15:17:13","modified_gmt":"2024-12-09T14:17:13","slug":"hyper-nuit-au-musee-de-lorangerie","status":"publish","type":"post","link":"https:\/\/audeladestoiles.com\/index.php\/2024\/10\/24\/hyper-nuit-au-musee-de-lorangerie\/","title":{"rendered":"Hyper Nuit au Mus\u00e9e de l\u2019Orangerie"},"content":{"rendered":"

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Am\u00e9lie Bertrand dans l\u2019exposition avec Swamp Invaders, 1, Swamp Invaders, 2, Swamp Invaders, 3 et Banc, Hyper nuit, Photo : Mus\u00e9e de l’Orangerie \/ Sophie Cr\u00e9py\/ \u00a9<\/span> Adagp, Paris, 2024<\/p>\n

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L\u2019exposition Hyper Nuit<\/em><\/span><\/a> d\u2019Am\u00e9lie Bertrand, visible au Mus\u00e9e de l\u2019Orangerie du 2 octobre 2024 au 27 janvier 2025, se distingue par son approche unique des motifs tir\u00e9s du quotidien. L\u2019artiste int\u00e8gre des \u00e9l\u00e9ments tels que des murs en briques, des grillages m\u00e9talliques ou encore des carreaux de piscine dans des compositions qui brouillent la fronti\u00e8re entre le r\u00e9el et l\u2019artifice. Ces paysages \u00e9nigmatiques, assembl\u00e9s \u00e0 partir de recherches par mots-cl\u00e9s sur internet, plongent le spectateur dans une atmosph\u00e8re de mirage, o\u00f9 la sensation de malaise et l\u2019invitation \u00e0 la r\u00e9flexion coexistent<\/span><\/p>\n

Le n\u00e9nuphar revisit\u00e9 : Une allusion \u00e0 Monet<\/span><\/h4>\n

Au c\u0153ur de l\u2019univers visuel d\u2019Am\u00e9lie Bertrand, le motif du n\u00e9nuphar occupe une place centrale. Cette plante aquatique, rendue c\u00e9l\u00e8bre par la s\u00e9rie Les Nymph\u00e9as<\/em> de Claude Monet, est ici r\u00e9interpr\u00e9t\u00e9e comme une forme g\u00e9om\u00e9trique et abstraite. Bertrand poursuit ainsi une r\u00e9flexion sur les possibilit\u00e9s formelles de la peinture, r\u00e9actualisant le n\u00e9nuphar tout en le d\u00e9tournant de son contexte classique. Selon l\u2019artiste, peindre ces motifs a marqu\u00e9 un tournant dans son travail : \u00ab C\u2019\u00e9tait facile, j\u2019\u00e9tais libre parce que le n\u00e9nuphar intervenait tout de suite sur la peinture \u00bb<\/span><\/p>\n

Une technique minutieuse au service de l\u2019immersion<\/span><\/h4>\n

La m\u00e9thode de travail d\u2019Am\u00e9lie Bertrand se distingue par une rigueur technique. Apr\u00e8s une premi\u00e8re phase de cr\u00e9ation num\u00e9rique, ses compositions sont transf\u00e9r\u00e9es sur toile \u00e0 l\u2019aide de pochoirs, puis minutieusement peintes \u00e0 l\u2019huile en une seule couche. Ce processus lui permet de cr\u00e9er des aplats lisses et des d\u00e9grad\u00e9s subtils, conf\u00e9rant \u00e0 ses \u0153uvres une apparence de perfection m\u00e9canique. Son usage des couleurs, \u00e0 la fois douces et \u00e9clatantes, et ses effets de lumi\u00e8re impossibles renforcent l\u2019aspect irr\u00e9el et immersif de ses paysages<\/span><\/p>\n

L\u2019interaction avec l\u2019espace du Mus\u00e9e de l\u2019Orangerie<\/span><\/h4>\n

L\u2019exposition Hyper Nuit<\/em> fait \u00e9galement \u00e9cho aux c\u00e9l\u00e8bres Nymph\u00e9as<\/em> de Monet, install\u00e9s dans le mus\u00e9e. Les toiles d\u2019Am\u00e9lie Bertrand dialoguent avec l\u2019espace immersif de l\u2019Orangerie, enrichissant la r\u00e9flexion sur la perception visuelle et la nature de l\u2019artifice. Son utilisation de motifs d\u00e9j\u00e0 ancr\u00e9s dans l\u2019histoire de l\u2019art, combin\u00e9e \u00e0 son esth\u00e9tique contemporaine, cr\u00e9e une exp\u00e9rience captivante o\u00f9 pass\u00e9 et pr\u00e9sent s\u2019entrelacent.<\/span><\/p>\n

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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.27.0″ _module_preset=”default” column_structure=”1_2,1_2″][et_pb_column _builder_version=”4.27.0″ _module_preset=”default” type=”1_2″][ba_image_carousel slide_count=”1″ nav_height=”48px” nav_width=”48px” nav_color=”#000000″ nav_bg=”RGBA(255,255,255,0)” icon_left=”||fa||900″ icon_right=”||fa||900″ content_alignment=”center” _builder_version=”4.27.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″ custom_margin=”-42px|||||”][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Ame\u0301lie Bertrand, Hyper Nuit, blue, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024″ title_text=”Ame\u0301lie Bertrand, Hyper Nuit, blue, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024″ photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2024\/10\/Amelie-Bertrand-Hyper-Nuit-blue-2024-Huile-sur-toile-Photo-_-A.-Mole-Courtesy-Semiose-Paris-\u00a9-Adagp-Paris-2024.webp” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Ame\u0301lie Bertrand, Hyper Nuit, Hyper Nuit, yellow, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024.webp” title_text=”Ame\u0301lie Bertrand, Hyper Nuit, Hyper Nuit, yellow, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024.webp” photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2024\/10\/Amelie-Bertrand-Hyper-Nuit-Hyper-Nuit-yellow-2024-Huile-sur-toile-Photo-_-A.-Mole-Courtesy-Semiose-Paris-\u00a9-Adagp-Paris-2024.webp.webp” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Ame\u0301lie Bertrand, Hyper Nuit, green, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024″ title_text=”Ame\u0301lie Bertrand, Hyper Nuit, green, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024″ photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2024\/10\/Amelie-Bertrand-Hyper-Nuit-green-2024-Huile-sur-toile-Photo-_-A.-Mole-Courtesy-Semiose-Paris-\u00a9-Adagp-Paris-2024.webp” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Ame\u0301lie Bertrand, Hyper Nuit, pink, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024″ title_text=”Ame\u0301lie Bertrand, Hyper Nuit, pink, 2024, Huile sur toile Photo _ A. Mole, Courtesy Semiose, Paris; \u00a9 Adagp, Paris, 2024″ photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2024\/10\/Amelie-Bertrand-Hyper-Nuit-pink-2024-Huile-sur-toile-Photo-_-A.-Mole-Courtesy-Semiose-Paris-\u00a9-Adagp-Paris-2024.webp” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][ba_image_carousel_child _builder_version=”4.27.0″ _module_preset=”default” alt=”Vue de l\u2019exposition avec Swamp Invaders, 2 Photo _ Muse\u0301e de lOrangerie _ Sophie Cre\u0301py_, \u00a9 Adagp, Paris, 2024″ title_text=”Vue de l\u2019exposition avec Swamp Invaders, 2 Photo _ Muse\u0301e de lOrangerie _ Sophie Cre\u0301py_, \u00a9 Adagp, Paris, 2024″ photo=”http:\/\/audeladestoiles.com\/wp-content\/uploads\/2024\/10\/Vue-de-lexposition-avec-Swamp-Invaders-2-Photo-_-Musee-de-lOrangerie-_-Sophie-Crepy_-\u00a9-Adagp-Paris-2024.webp” hover_enabled=”0″ sticky_enabled=”0″][\/ba_image_carousel_child][\/ba_image_carousel][\/et_pb_column][et_pb_column _builder_version=”4.27.0″ _module_preset=”default” type=”1_2″][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n

<\/h4>\n

<\/span><\/h4>\n

Une palette de couleurs au service de l\u2019\u00e9tranget\u00e9<\/span><\/h4>\n

L\u2019une des caract\u00e9ristiques distinctives de l\u2019\u0153uvre d\u2019Am\u00e9lie Bertrand r\u00e9side dans son usage singulier de la couleur. En jouant avec des teintes vives mais harmonieuses, elle parvient \u00e0 instaurer une ambiance presque onirique. Ses compositions cr\u00e9ent un effet de lumi\u00e8re surnaturel qui accentue le d\u00e9calage entre le familier et l\u2019inconnu, rendant ses paysages \u00e0 la fois attirants et perturbants<\/span><\/p>\n

Un dialogue entre tradition et modernit\u00e9<\/span><\/h4>\n

\u00c0 travers cette nouvelle s\u00e9rie, Am\u00e9lie Bertrand poursuit sa qu\u00eate d\u2019un langage pictural propre \u00e0 l\u2019\u00e8re num\u00e9rique, tout en s\u2019inscrivant dans la lign\u00e9e des grands ma\u00eetres impressionnistes. Hyper Nuit<\/em> constitue un hommage subtil \u00e0 Monet, tout en offrant une r\u00e9flexion contemporaine sur la mani\u00e8re dont l\u2019art peut r\u00e9interpr\u00e9ter et transformer des motifs ancr\u00e9s dans notre imaginaire collectif. Ce travail minutieux et hautement conceptuel t\u00e9moigne de la capacit\u00e9 de l\u2019artiste \u00e0 renouveler le regard que nous portons sur le monde qui nous entoure.\u00a0\u00a0<\/span><\/span><\/p>\n

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\u00c0 d\u00e9couvrir<\/strong><\/h1>\n

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Entre r\u00e9el et artifice – Am\u00e9lie Bertrand<\/p>\n","protected":false},"author":1,"featured_media":1026,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[10],"tags":[],"class_list":["post-1025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles"],"yoast_head":"\nHyper Nuit au Mus\u00e9e de l\u2019Orangerie - Au-del\u00e0 des toiles<\/title>\n<meta name=\"description\" content=\"D\u00e9couvrez l\u2019exposition Hyper Nuit d\u2019Am\u00e9lie Bertrand, o\u00f9 le motif du n\u00e9nuphar de Monet est r\u00e9invent\u00e9 \u00e0 travers des paysages surr\u00e9alistes et immersifs.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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